Owner's Manual - Roland

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Chapter 6. Creating an Original Pattern Changing the strength of the notes (Change Velocity) fig.PTNCVL This operation changes the velocity (strength) of the notes recorded in the pattern. Higher settings will cause the notes to be played more strongly. Use this when you want to make the notes stronger or weaker. Display Explanation Setting Specify the amount of the change in velocity. -99–0–99 Press the part button [R] or [1]–[7] of the part whose velocity you wish to change, getting its indicator to light. * If this operation would result in a velocity greater than 127 (or less than 1), that velocity will be converted to 127 (or 1). Changing the note length (Change Gate Time) fig.CGT This operation changes the gate time (duration that the note is held) of the notes recorded in the pattern. Use this when you want to make the entire performance more staccato or tenuto. Display Explanation Setting Specify the amount of change in gate time. -99–0–99 Press the part button [R] or [1]–[7] of the part whose gate time you wish to change, getting its indicator to light. Make fine adjustments in timing (Shift Clock) fig.PTNSCK Using this operation, the timing of the performance data recorded in the pattern can be shifted forward or backward in units of one clock (1/96th of a beat). Use this when you wish to move the entire performance slightly forward or backward. Display Explanation Setting Specify the shift clock amount. -99–0–99 Press the part button [R] or [1]–[7] of the part whose timing you wish to change, getting its indicator to light. 68 Thinning out unnecessary data (Data Thin) fig.PTNDTH Since data such as Pitch Bend and Control Change typically has a continuously changing value, it can occupy an unexpectedly large amount of memory. The Data Thin operation thins out such data to reduce the amount of the data without affecting the audible result. This lets you make more efficient use of internal memory. Display Explanation Setting Specify the amount by which the data will be thinned. 0–99 Press the part button [R] or [1]–[7] of the part whose data you wish to thin, getting its indicator to light. Creating a quantized pattern (Edit Quantize) fig.PTNQTE This operation modifies the actual performance data of the pattern so it is aligned with the timing produced by the Quantize operation (p. 37). The normal Quantize operation does not modify the contents of the performance data; it merely adjusts the timing at which the pattern data is played back. Through the use of Edit Quantize, you can create data that incorporates the result of quantization. Display Explanation Apply the quantization settings. * You must first set Quantize (p. 37) to either GRID, SHUFFLE, or GROOVE. (If one of these are not selected, the data will not be modified.) Edit Quantize will be performed with this setting. Press the part button [R] or [1]–[7] of the part that you wish to quantize, getting its indicator to light. Saving a pattern When you have created a pattern that you like, you should save that pattern as a user pattern. For details on saving, refer to p. 20. If you edit another pattern, switch to Song mode, or turn off the power without saving the pattern you recorded or edited, your edits will be lost.
Chapter 7. Playing and Creating Songs Playing a song A song consists of two or more patterns connected in the desired order of playback. When you play back a song, the patterns will be selected automatically in the specified order, so you do not need to select them yourself. For each song, you can register up to 50 patterns in the desired order of playback. 1. Press [SONG] to enter Song mode. The number of the currently selected song will appear in the NEXT display. 2. Turn [VALUE] to select the song that you wish to play. 3. When you press [ ], the song will begin playing. When the song begins playing, the displays will indicate the current pattern and next pattern in the same way as when patterns are played back. The BPM can also be adjusted in the same way as when playing patterns. –> Changing the BPM (tempo) (p. 16) 4. Press [ ] to stop song playback. Songs do not actually contain the musical data of the patterns; they contain only the order in which the patterns are to be played back. This means that if you modify a pattern that has been registered in a song, the playback of the song will also be affected. If you delete all of the musical data of the pattern, playback will stop at the moment that pattern is selected. Each time you press the [ ] button, the cursor moves to the beginning of the next pattern. Each time you press the [ ] button, the cursor moves to the beginning of the previous pattern. Press [ ] button while the song is stopped to return to the beginning. 1. Press [ENTER] during song playback. The CURRENT display will indicate the currently playing step, and the NEXT display will show its pattern number. 2. Press either [ENTER] or [EXIT]. You are returned to the previous screen. * This screen will also appear when you use [ move between steps. ][ ] to 1. Press [ ] during song playback. The CURRENT display will show the currently-playing pattern number, and the NEXT display will show the measure and beat. 2. Release your finger from [ ]. You are returned to the previous screen. 69 Chapter 7
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Thank you, and congratulations on y
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011 • Do not allow any objects (e
Page 5 and 6:
Contents IMPORTANT NOTES ..........
Page 7 and 8:
Contents Chapter 8. System Settings
Page 9 and 10:
How to read this manual The D2 manu
Page 11 and 12:
Rear panel Panel Descriptions/ Maki
Page 13 and 14:
How characters and numerals are dis
Page 15 and 16:
Chapter 2. Playing Patterns Basics
Page 17 and 18: Muting individual rhythm sounds The
Page 19 and 20: Modifying the settings of each part
Page 21 and 22: Chapter 3. About the D-FIELD What i
Page 23 and 24: SOUND mode Playing back a phrase (R
Page 25 and 26: Chapter 3. About the D-FIELD Applyi
Page 27 and 28: Playing arpeggios (ASSIGN 1: ARPEGG
Page 29 and 30: Beat pattern Chapter 3. About the D
Page 31 and 32: Chapter 3. About the D-FIELD Auditi
Page 33 and 34: XY mode Chapter 3. About the D-FIEL
Page 35 and 36: Making detailed settings 1. Hold do
Page 37 and 38: Chapter 3. About the D-FIELD Changi
Page 39 and 40: Changing the reverb depth (ASSIGN 2
Page 41 and 42: Sounding a snare roll (SD ROLL) Cha
Page 43 and 44: Delay (Add echoes to the sound) Cha
Page 45 and 46: Chapter 4. Applying Effects to the
Page 47 and 48: 5. Distortion (Distort the Sound Se
Page 49 and 50: 9. Phonograph (Simulates an Old Rec
Page 51 and 52: 14. Phaser (Modulate the Sound) Cha
Page 53 and 54: 18. Flanger (Add Metallic Resonance
Page 55 and 56: Chapter 4. Applying Effects to the
Page 57 and 58: 24. Gate Reverb (Sharply Cut the Re
Page 59 and 60: Chapter 5. Replacing phrases to cre
Page 61 and 62: The display during realtime recordi
Page 63 and 64: Inputting notes Changing the locati
Page 65 and 66: Editing a pattern (Pattern Edit) Th
Page 67: Erasing unwanted data (Erase) fig.P
Page 71 and 72: Inserting a step (Step Insert) You
Page 73 and 74: Chapter 8. System Settings and MIDI
Page 75 and 76: RPS TRIGGER QUANTIZE Chapter 8. Sys
Page 77 and 78: MIDI reception settings Chapter 8.
Page 79 and 80: Using the D2 together with an exter
Page 81 and 82: Saving data on an external sequence
Page 83 and 84: Error Message List If the D2 is ope
Page 85 and 86: No. Name 065 Timpani 066 Steel Drum
Page 87 and 88: Note No. 35 C2 36 38 40 41 43 45 47
Page 89 and 90: Note No. 35 C2 36 38 40 41 43 45 47
Page 91 and 92: Note No. 35 C2 36 38 40 41 43 45 47
Page 93 and 94: No. Pattern Name BPM Mes. Programme
Page 95 and 96: RPS Set List D-FIELD No. Pattern Na
Page 97 and 98: Waveform List Group A No Name No Na
Page 99 and 100: ● Program Change status 2nd byte
Page 101 and 102: ❍Hold 2 (Controller number 69) st
Page 103 and 104: ●Start status FAH * This message
Page 105 and 106: ■1-3.Patch +———————
Page 107 and 108: 6. Supplementary material ■Exampl
Page 109 and 110: goovebox (Sequencer Section) Model
Page 111 and 112: Index Numerics 4 Band EQ ..........
Page 113 and 114: MEMO
Page 115 and 116: This product complies with the requ
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