Untitled - FundaÃ§Ã£o Museu do Homem Americano

More documents

Recommendations

Info

69 Global Rock Art Congress 29 Junho – 3 de Julho 2009 I carri a due ruote nell’arte rupestre Camuna del Bronzo: iconografia e confronti. Giulia Rossi, Manuela Zanetta, Itália L’Età del Bronzo è notoriamente poco rappresentata all’interno dell’arte rupestre camuna e si caratterizza sostanzialmente per la presenza di poche tematiche, concentrandosi in particolar modo intorno alle raffigurazioni di armi, cui si aggiungono telai, antropomorfi e simboli circolari. Particolare interesse rivestono le uniche tre raffigurazioni note di carri a due ruote, le più antiche in Italia, attribuibili al Bronzo Medio-Recente, che si presentano in contesti scenici molto particolari, dando nuovi spunti interpretativi. I confronti in area continentale e mediterranea suggeriscono un grande risalto dall’età del Bronzo fino a tutta l’età del Ferro nell’iconografia, nelle fonti letterarie e nella cultura materiale relativa ai corredi funerari. Parque Nacional Serra da Capivara Piauí, Brasil
15- Interpretando cenas de arte rupestre Interpreting rock art scenes L’interprétation des scènes de l’art rupestre Interpretando escenas del Arte Rupestre Coordenado por / Coordinated by: Mavis Greer & John Greer PAPERS Hunting Scenes Painted in Miniature, Guadalupe Mountains, New Mexico and Lower Pecos River Region, Texas, USA Evelyn Billo and Robert Mark, Estados Unidos da América. 70 Finely executed details of nets, weapons, hunters with dogs, and their prey of rabbits and cervids, led us to interpret two paintings as rabbit hunting scenes. These sites include other tiny figures depicting successful hunters butchering cervids. Individual element sizes range from 1cm to no greater than 15 cm. Comparison of details of pictographs from regions separated by 400 km, indicate the possibility of a travel corridor for people and ideas along the Pecos River Problems About Creating “Scenes” Mario Consens, Uruguai Graphics scenes depend on perception (which is culturally limited), on vision [sight] (biologically limited), on meteoric degradation (limited by paleo environment), on interpretation (limited by cognition), on definitions (limited by culture), on ideology, academic firewalls, etc. We would be able to suggest an archaic scene only if those parameters are carefully analyzed and corrected. From such precautions we would be able to ask if isolated scenes rebuilt in laboratory are capable of representing prehistoric cultures. Some examples from Piaui will be used to expose these problems. What Rock Art Scenes Can Tell Us, Examples from the USA Northern Plains Mavis Greer & John Greer, Estados Unidos. The scene is a basic unit of rock art classification, description, and recording. Most rock art reports focus on scenes, and many historic era sites are understood mainly because of interactive figures within a scene. The importance of the scene is accepted as obvious, but how to utilize it best in prehistoric analysis is not always easily seen by the researcher. Scenes of various ages at pictograph sites in the northern USA states of Montana and Wyoming are considered with a particular interest in what defines a scene and how interacting figures can help explain function of the rock art. (Artigo 63 IFRAO2009) FUMDHAMentos IX
Page 2 and 3:
Edição Edition GLOBAL Rock ART Co
Page 4 and 5:
Indice Index Sobre o Congresso / Ab
Page 6 and 7:
Global Rock Art Congress 29 Junho -
Page 8 and 9:
Page 10 and 11:
Page 12 and 13:
Page 14 and 15:
Page 16 and 17:
13 Global Rock Art Congress 29 Junh
Page 18 and 19:
Page 20 and 21:
Page 22 and 23: 19 Global Rock Art Congress 29 Junh
Page 24 and 25: Global Rock Art Congress 29 Junho -
Page 122 and 123:
Page 124 and 125:
Page 126 and 127:
show all

Untitled - FundaÃ§Ã£o Museu do Homem Americano

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?