saxelovnebo mecnierebaTa Ziebani #2 (43), 2010 ART SCIENCE ...

Rustaveli Theatre and Film Georgian State University’s PublishingHouse “Kentavri”. She is the editor of the newspaper “Duruji” of theabove mentioned University as well as the founder and editor of thenewspaper “Kultura”.From 1980 – 1992 she worked as a scholar at Georgian State Museumof Theatre, Music and Film;From 1992 – 2000 she worked as an editor for children’s theatre andentertainment program “Gossip News” on Georgian State BroadcastingCompany.From 1998 – 2000 she worked as a manager of Stichting CaucasusFoundation.In 2003, 2005, 2007 she worked as one of the coordinators of“International Culture Fair” organized by Stichting Caucasus Foundationand as the head of Theatre and Film Showcase Program.In 2005, 2006 she worked as one of the coordinators of “TbilisiInternational Film Festival”.She has her articles, letters, reviews on contemporary theatre processesand problems published in magazines “Soviet Art”, “Teatraluri Moambe”,“Òåàòð“, Theatre and Life”, newspapers “Kultura”, “Duruji” on aregular basis.She is the editor of several books.In 1986 she was awarded 1 Price at the “International Conference ofYoung Soviet Researchers” in St. Petersburg for the paper “B. Brechtin the work of Robert Sturua”.Acquired grants: 2003, 2004, 2005 years: “Open Society Institute”,Georgian State Ministry of Culture, Monument Protection and Sport”,“Georgian National Film Center”.Tel.: +995 (77) 28 87 68E-mail.: vasilisa@yahoo.comFILM STUDIESJAPANESE EMPEROR OF FILMSummaryZviad DolidzeThis article is devoted to the 100 years’ anniversary of the greatestJapanese filmmaker Akira Kurosawa, who created his own originalfilm world, proved himself as a true creator, who had not been engagedpolitically. He sincerely wanted that his films’ heroes were the real andhonest persons, who know the life as it is. In his homeland Kurosawaoften was criticized by local specialists of cinema that he worked forWestern audience, but in reality nobody from his colleagues did notshow Japan and the Japanese society so much clearly that Kurosawa.He had not the selected and solely style, never discussed this withsomeone, but from his side he helped to many cinematographers to“open” the “film doors”, taught them the film alphabet. And those peoplewere always proud of work with him and declared that they are themembers of Kurosawa’s team.ABOUT AUTHORFilm Historian, Art History PhD.Full Professor of Shota Rustaveli Theatre and Film Georgian StateUniversity. Head of the History of World Film direction. In 1980 hegraduated from A.S. Pushkin Institute of Pedagogy, Faculty ofHistory. He lectures on history of world film on a BA level. At thesame time he is the head of a doctorate program in the samediscipline. He is the author of 3 books (2 textbooks and 1monograph) and 30 scientific articles.Contact Info: +995 (55) 30 70 40E-mail: dolz@internet.ge256 257