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<strong>©Biblioteca</strong> <strong>Nacional</strong> <strong>de</strong> <strong>Colombia</strong><br />
REMARKS<br />
UPON 80ME POINT$ OF<br />
CLASSICAL VERSIFICATION.<br />
I. Quantity and Accent.<br />
THE structure of Verse, in Latin and Greek, is foun<strong>de</strong>d on the<br />
different quantity of the syllables, as long or short; in English,<br />
on the contrary, and other mo<strong>de</strong>rn languages, the laws of versification<br />
refer to the accentuation or non-accentuation of the syllable.<br />
Even in the prose pronunciation of Greek and Latin, the<br />
accent, while carefully observed, was quite subordinate, and is<br />
never named in speaking of rhetorical euphony, while, on the<br />
other hand, the distinction of quantity was distinctly and strongly<br />
marked; in poetry, accordingly, the verse was audibly distinguished<br />
by the alternation of the long and short syllables. As it<br />
is not possible for us, either in prose or verse, to pronounce the<br />
words according to their quantity with such precision and in<br />
such. a way as t.he ancients did, we cannot recite their poetry correctly,<br />
but are forced to give their verses a certain resemblance<br />
to OUl'S by laying an accent on the Arsis; whereas the ancients<br />
simply indicated the arsis by the length of the syllable, not raising<br />
the voice, but only prolonging the sound. .<br />
While in the recitation of verse the metrical intonation pre ..<br />
dominated, it did not entirely suppress the ordinary accent of<br />
words. Even now a <strong>de</strong>licate ear can often feel a subtile beauty<br />
in the relations, in ancient poetry. of the subordinate effects of<br />
accent with the metrical beat of the line; and even in English reading<br />
of Greek 01' Latin verse, the best method combines a primal'Y<br />
regard for the rhythm with a certain attention to the accent.<br />
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