Documentação musical: discussão sobre a ... - ECA-USP
Documentação musical: discussão sobre a ... - ECA-USP
Documentação musical: discussão sobre a ... - ECA-USP
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
iv<br />
ABSTRACT<br />
This is a thematic representation analysis of music scores, in order to recover<br />
information in an educational approach regarding music and information<br />
science. The comprehension that the librarianship area has about the <strong>musical</strong><br />
material is insufficient, because of the information professionals' lack of specific<br />
knowledge – either the ones who manage systems or the ones who use them to<br />
input data about the institutions' <strong>musical</strong> heaps. Problems found in the<br />
librarianship practice are pointed and discussed based on the precepts of<br />
<strong>musical</strong> theory. The central focus of the thematic description is the field<br />
"subject" and its concept in both areas. After a critical analysis, confirmations<br />
were empirically obtained, through examples of cataloguing formats and<br />
recovering trials of the score's registries of <strong>ECA</strong>/<strong>USP</strong>'s and IA/UNESP's<br />
databases. It's proved that the thematic representation of the scores, on the<br />
way it's recommended by the librarianship, doesn't meet the music researcher's<br />
needs and therefore it's necessary that they include fields that meet the specific<br />
characteristics of the material's description. In order to replace the field<br />
"subject", it's suggested the field "form/gender" - which gives extremely<br />
important information to music researcher's and that doesn't receive the<br />
deserved importance when the documents are indexed.<br />
Key-words: Musical documentation; Thematic representation; Scores;<br />
Educational approach; Information retrieval.