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Alesis Micron Owners Manual.pdf - Fdiskc

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4. Beats<br />

Once you are past the part screens, you reach the beat screens.<br />

a. Rhythm<br />

Choose the rhythm to use for this beat. All of the information for<br />

the rhythm–the sounds, panning, relative levels of the different<br />

sounds, and so forth–will be included.<br />

Another way of setting the beat’s rhythm is to bring it over from<br />

Rhythms mode. Press [rhythms] to enter Rhythms mode, and<br />

find the rhythm that you want. Then, hold down [rhythms] and<br />

press [setups], and the beat’s rhythm will be set. This works in<br />

the other direction as well–hold down [setups] and press<br />

[rhythms] to bring the beat’s rhythm over to Rhythms mode,<br />

perhaps for some quick editing.<br />

b. Level<br />

Set the level of this beat relative to the other beats and parts within<br />

the setup.<br />

c. FX Mix<br />

Set the dry/wet effects balance for the beat. This mix affects all of<br />

the drums in a rhythm equally.<br />

If you want to single out a particular drum, see the “use as”<br />

parameter on page 48.<br />

5 Setups<br />

Using multiple beats per<br />

setup<br />

A setup can have multiple<br />

beats, just as it can have<br />

multiple parts. Assigning<br />

different beats to different,<br />

small little sections on the<br />

keyboard (using the “low<br />

key” and “high key”<br />

parameters) can provide you<br />

with a lot of variations as you<br />

perform.<br />

Effects<br />

All of the parts and beats<br />

within a setup use either no<br />

effect or else a single, shared<br />

effect (which is selected in a<br />

later screen).<br />

Jumping between beats<br />

To jump between beats, hold<br />

down the [setups] button and<br />

press one of the top keys,<br />

starting with the highest A on<br />

the keyboard.<br />

Silencing the beats<br />

If you want to disable a<br />

setup’s beats, press<br />

[accomp]. This turns all the<br />

beats off. Press [accomp] a<br />

second time to reactivate the<br />

b t<br />

49

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