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Alesis Micron Owners Manual.pdf - Fdiskc

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70<br />

6 Programs<br />

Keytrk (Key tracking)<br />

Set whether the filter frequency rises and falls to match the keys<br />

you play or stays constant regardless of the keys you play. A<br />

setting of 0 means the filter frequency will remain constant across<br />

the keyboard. If the key track parameter is set to +100, the filter<br />

tracks the keyboard perfectly, and with enough resonance, can be<br />

played as if it were an oscillator. Negative settings mean the filter<br />

will grow darker as higher notes are played.<br />

EnvAmt (Envelope Amount)<br />

Set the degree to which the filter frequency will be affected by the<br />

filter envelope. A negative setting inverts the envelope.<br />

Additionally, filter 2 has the following parameter:<br />

Offset<br />

Absolute<br />

The value assigned for filter 2’s frequency setting is applied<br />

normally.<br />

Offset<br />

The value assigned for filter 2’s frequency is locked into a relative<br />

position with filter 1’s frequency. Filter 2’s frequency<br />

automatically rises and falls in step with filter 1’s frequency.<br />

9. Post-filter mix parameters<br />

Set the mix levels and left-right pan positions for filter 1, filter 2,<br />

and the pre-filter mix.<br />

Also set the following parameters:<br />

Preflt Src (Pre-Filter Source)<br />

The outputs of the oscillators, as well as a few other signal sources,<br />

are fed into a virtual mixing board called the Pre Filter Mix. The<br />

job of this mixer is to funnel all of these sources into the inputs of<br />

the next sound processing stage—the filters. For each source, you<br />

can specify its level, which is how loud it should be, and its<br />

balance, which determines how much of it goes to Filter 1 and<br />

how much to Filter 2.<br />

Flt 1 Sign (Filter 1 Polarity)<br />

Choose positive polarity for normal summing of the filter 1 and filter<br />

2 signals. Choose negative polarity to throw the two filters out of<br />

phase with one another, creating peaks and notches at various<br />

frequencies.<br />

Mapping the (x/y/z) knobs<br />

Remember, any parameter<br />

may be mapped to the x, y, or<br />

z knobs. When the parameter<br />

is on the screen, simply hold<br />

down the control knob and<br />

wiggle the knob that you want<br />

to map to.<br />

Quick access to editing<br />

To jump to the post-filter mix<br />

category, hold down the<br />

[programs] button and press<br />

the key labeled “postmix.”

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