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The Adventures of Jonathan Gullible - Bastiat Institute

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90 Chapter 16 • Nothing To It<br />

<strong>The</strong>re is absolutely<br />

no ground for saying<br />

that the market<br />

economy fosters<br />

either material or<br />

immaterial goods;<br />

it simply leaves every<br />

man free to choose<br />

his own pattern <strong>of</strong><br />

spending.<br />

Murray Rothbard<br />

ballet school and theatre. It is now a successful<br />

enterprise run without any taxpayer subsidies.<br />

Background<br />

Ken: During a radio debate I once had with the<br />

head <strong>of</strong> the state art academy, he confessed that<br />

the vast bulk <strong>of</strong> the state owned art was buried<br />

away in warehouses and no one was allowed to<br />

see it. Nevertheless, favoured artists made quite<br />

a living from the sales to the state.<br />

This chapter was derived from the debates<br />

over public funding <strong>of</strong> art, specifi cally the “Piss<br />

Christ” art that was a crucifi x in a fl ask <strong>of</strong> the<br />

artist’s urine. This artist, Andres Serrano, caused<br />

an uproar from taxpayers who were forced to<br />

fund his exhibit.<br />

References<br />

Irving Wallace, in his delightful <strong>The</strong> Square<br />

Pegs, writes <strong>of</strong> a book called Nothing, written in<br />

the 17th century by a Frenchman called Mathel.<br />

<strong>The</strong> book comprised 200 blank pages.<br />

A more informative book is <strong>The</strong> Incredible<br />

Bread Machine by R.W. Grant.<br />

For more information on the ballet company<br />

see: http://www.saballettheathre.co.za.

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