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The Green caldron - University Library

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22<br />

<strong>The</strong> <strong>Green</strong> Caldron<br />

a profoundly human yet intensely nihilistic and pessimistic comment on the<br />

empty condition of the world.<br />

Often, this structural irony is enhanced by a lack of awareness on the<br />

part of the characters. Thus, in some of the crudest lines in the play (art<br />

of this type—social criticism—must be cruel to be heard) the characters are<br />

unaware of the horror they are speaking:<br />

Hamm:<br />

Sit on him!<br />

Clov<br />

:<br />

Hamm<br />

:<br />

I can't sit.<br />

True. And I can't stand.<br />

Qov:<br />

So it is.<br />

Hamm:<br />

Every man his speciality.-^^<br />

Hamm is proud of the hideous condition he is in, and speaks in a platitude<br />

that has tremendous ironic impact in this "Age of Specialization." Again, in<br />

another line, a common platitude—nature hasn't forgotten us—is inverted<br />

and becomes (without the character's knowing it) ironically deformed:<br />

Hamm:<br />

Clov<br />

Clov!<br />

Yes.<br />

Hamm:<br />

Nature has forgotten us.<br />

Clov:<br />

<strong>The</strong>re's no more nature.<br />

Hamm:<br />

No more nature ! You<br />

Clov:<br />

exaggerate.<br />

In the vicinity.<br />

Hamm:<br />

But we breathe, we change! We lose our hair, our teeth! Our<br />

bloom! Our ideals!<br />

Clov:<br />

<strong>The</strong>n she hasn't forgotten us.^^<br />

<strong>The</strong> irony of the play arises not only in the structure and development<br />

of phrases, but also in the choice of words—the structural bricks from which<br />

the play is made. Clov, in looking out of one of the two windows, thinks<br />

he sees a boy. This is, of course, impossible, since the people on stage are<br />

the only humans left, yet Clov believes it was not his imagination. Fearing

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