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The Green caldron - University Library

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8 <strong>The</strong> <strong>Green</strong> Caldron<br />

melody? Perhaps the words should equal the rhythm and the picture as<br />

well as the idea.<br />

<strong>The</strong>n the rhythmic use of symbols to represent the collision of men with<br />

the meanness or ugliness, or beauty or gentleness of the world around them,<br />

accounts for our enchantment with a poem. In the flying particles from<br />

uncounted collisions there is a radiation of behavior and attitudes lodging, or<br />

hidden, in ourselves. We, too, remember a time,<br />

I have looked upon those brilliant creatures.<br />

And now my heart is sore.<br />

Why do we feel this recognition ? Why do babies feel soothed by singing<br />

or rocking? Say that it is because we all come from the moon-struck sea,<br />

with its tidal motion and surging, hissing, whispering waves, or say it is<br />

because we all are born with common emotions, a common store of knowledge.<br />

Explain it as you will, we feel a kinship with the rhythm, perhaps primitive,<br />

perhaps educated to sophistication, of music or words. When the words<br />

mingle their sounds with the sounds they describe, and when they fall into<br />

a metric pattern, we feel a stirring of ancient memory. We need not search<br />

for other explanations. We carry the wish for patterns of sound within us.<br />

Satisfied, we can listen to the music of words.<br />

I saw, before I had well finished.<br />

All suddenly mount<br />

And scatter wheeling in great broken rings<br />

Upon their clamorous wings.<br />

Is this all, though ? Do we seek for something more ? We could hypnotize<br />

ourselves into insensibility by the rhythmic repetition of a single word or<br />

sentence. We could chant jargon for hours, but we seldom do. We want<br />

something more. We want the balanced equation, after all. We want a<br />

poem to have a beginning and an end, and, to complete a meaningful circle,<br />

we want the rhythmic picture of the words to equal the idea. Our words<br />

and music must have significance, because only then can we link our silent,<br />

inarticulate thoughts with spoken recognition.<br />

What, then, is the purpose of a poem, its reason for existence? Is its<br />

purpose to soothe, to excite, to lull, to interpret, to give expression to feelings ?<br />

All of these, and more. By perfection of language and rhythm, by balance<br />

between content and form, a poem can be weighed on a scale, or measured<br />

by a rule, of correspondences. By relationships between its parts, a poem<br />

can bestow a wholeness, a completeness, a union of one with another.<br />

What is a poem good for? Good for standing alone, for sharing balanced<br />

perfection with men.

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