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Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ...

Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ...

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masterklasebi<br />

MASTERCLASSES<br />

ARIA<br />

aria didi britaneTi<br />

Directors:<br />

Robert Altman<br />

(segment “Les Boréades”)<br />

Bruce Beresford<br />

(segment “Die tote Stadt”)<br />

Bill Bryden<br />

(segment “I pagliacci”)<br />

Jean-Luc Godard<br />

(segment “Armide”)<br />

Derek Jarman<br />

(segment “Depuis le jour”)<br />

Franc Roddam<br />

(segment “Liebestod”)<br />

Nicolas Roeg<br />

(segment “Un ballo in maschera”)<br />

Ken Russell<br />

(segment “Nessun dorma”)<br />

Charles Sturridge<br />

(segment “La virgine degli angeli”)<br />

Julien Temple<br />

(segment “Rigoletto”)<br />

138<br />

1987<br />

aTi sxvadasxva reJisoris aTi moklemetraJiani filmi. TiToeuli filmi TiTo<br />

saopero ariis interpretaciaa.<br />

Tavidan proeqtSi federiko felinic iRebda monawileobas. is romSi, produser<br />

don boidTan erTad muSaobda, magram reJisoris avadmyofobis gamo gadaRebebi<br />

Sewyda. rogorc yvelas, visac „aria~ unaxavs, felinisac mxolod misi calkeuli<br />

filmebi moswonebia, kerZod _ frenk rodamisa da julian templis.<br />

ARIA UK 1987<br />

90 wT, 35 mm, feradi<br />

90 min, 35 mm, colour<br />

reJisorebi:<br />

robert altmani<br />

(“Les Boréades”)<br />

brius beresfordi<br />

(“Die tote Stadt”)<br />

bil braideni<br />

(“I pagliacci”)<br />

Jan-luk godari<br />

(“Armide”)<br />

derek janmeni<br />

(“Depuis le jour”)<br />

frenk rodami<br />

(“Liebestod”)<br />

nikolas roegi<br />

(“Un ballo in maschera”)<br />

ken raseli<br />

(“Nessun dorma”)<br />

Carlz sTariji<br />

(“La virgine degli angeli”)<br />

julian templi<br />

(“Rigoletto”)<br />

Production:<br />

R.V.P. Productions<br />

Virgin Vision<br />

A Don Boyd Production<br />

Ten short pieces directed by ten different directors. Each short uses an aria as soundtrack/sound<br />

(Vivaldi, Bach, Wagner), and is an interpretation of the particular aria.<br />

Federico Fellini was attached to this project in the very beginning. He worked with Don Boyd the<br />

producer in Rome and only dropped out because he was ill - he was making his much delayed<br />

Intervista. Like everybody else who saw Aria, he loved various sections of the movie, particularly<br />

Roddam’s and Temple’s sections.

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