Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ...
Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ...
Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ...
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masterklasebi<br />
MASTERCLASSES<br />
ARIA<br />
aria didi britaneTi<br />
Directors:<br />
Robert Altman<br />
(segment “Les Boréades”)<br />
Bruce Beresford<br />
(segment “Die tote Stadt”)<br />
Bill Bryden<br />
(segment “I pagliacci”)<br />
Jean-Luc Godard<br />
(segment “Armide”)<br />
Derek Jarman<br />
(segment “Depuis le jour”)<br />
Franc Roddam<br />
(segment “Liebestod”)<br />
Nicolas Roeg<br />
(segment “Un ballo in maschera”)<br />
Ken Russell<br />
(segment “Nessun dorma”)<br />
Charles Sturridge<br />
(segment “La virgine degli angeli”)<br />
Julien Temple<br />
(segment “Rigoletto”)<br />
138<br />
1987<br />
aTi sxvadasxva reJisoris aTi moklemetraJiani filmi. TiToeuli filmi TiTo<br />
saopero ariis interpretaciaa.<br />
Tavidan proeqtSi federiko felinic iRebda monawileobas. is romSi, produser<br />
don boidTan erTad muSaobda, magram reJisoris avadmyofobis gamo gadaRebebi<br />
Sewyda. rogorc yvelas, visac „aria~ unaxavs, felinisac mxolod misi calkeuli<br />
filmebi moswonebia, kerZod _ frenk rodamisa da julian templis.<br />
ARIA UK 1987<br />
90 wT, 35 mm, feradi<br />
90 min, 35 mm, colour<br />
reJisorebi:<br />
robert altmani<br />
(“Les Boréades”)<br />
brius beresfordi<br />
(“Die tote Stadt”)<br />
bil braideni<br />
(“I pagliacci”)<br />
Jan-luk godari<br />
(“Armide”)<br />
derek janmeni<br />
(“Depuis le jour”)<br />
frenk rodami<br />
(“Liebestod”)<br />
nikolas roegi<br />
(“Un ballo in maschera”)<br />
ken raseli<br />
(“Nessun dorma”)<br />
Carlz sTariji<br />
(“La virgine degli angeli”)<br />
julian templi<br />
(“Rigoletto”)<br />
Production:<br />
R.V.P. Productions<br />
Virgin Vision<br />
A Don Boyd Production<br />
Ten short pieces directed by ten different directors. Each short uses an aria as soundtrack/sound<br />
(Vivaldi, Bach, Wagner), and is an interpretation of the particular aria.<br />
Federico Fellini was attached to this project in the very beginning. He worked with Don Boyd the<br />
producer in Rome and only dropped out because he was ill - he was making his much delayed<br />
Intervista. Like everybody else who saw Aria, he loved various sections of the movie, particularly<br />
Roddam’s and Temple’s sections.