Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ...
Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ...
Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ...
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margaret midis video- da <strong>kinofestivali</strong><br />
THE MARGARET MEAD FILM & VIDEO FESTIVAL<br />
SHOOT<strong>IN</strong>G UNDER FIRE<br />
gadaRebebi cecxlis qveS israeli / palestina 2005<br />
rainhard krauze, roiteris saagentos israelis biuros germaneli xelmZRvaneli,<br />
moraluri dilemis winaSe dgas _ is fotos dahyurebs, romelzec TviTmkvleli<br />
qalis tanTan axlos misi mowyvetili Tavi gdia miwaze. aCvenos Tu ara es foto<br />
msoflios? `yoveli foto istorias unda gviambobdes~, - ambobs rainhardi. fotoze<br />
Cans rac moxda, magram aris ki msoflio mzad msgavsi gamosaxulebisTvis?<br />
gadawyvetileba ramdenime wuTSi unda miiRos.<br />
filmi mogviTxrobs, Tu rogor muSaobs axali ambebis erT-erTi uZvelesi saagento<br />
msoflioSi, rogor moipovebs is axal ambebs _ pirveli mokle signalidan<br />
ierusalimSi momxdari incidentis Sesaxeb im momentamde, roca informacia meore<br />
dRes gazeTis pirvel gverdze xvdeba. filmSi naCvenebia, Tu rogor aRwevs es fotoebi<br />
da reportaJebi Cvenamde.<br />
Director:<br />
Sacha Mirzoeff<br />
reJisori:<br />
saSa mirzoevi<br />
SHOOT<strong>IN</strong>G UNDER FIRE ISRAEL / PALEST<strong>IN</strong>E 2005<br />
Reinhard Krause, the German head of the Reuters Israeli photo bureau is up against a deadline<br />
and facing a moral dilemma. He’s looking at a photo that shows the head of the female suicide<br />
bomber still perfectly in tact lying on the ground, severed cleanly from her body without a blemish<br />
on her face and with no blood to be seen. Does he decide to show this to the world or keep<br />
it hidden? “Every picture must tell a story” Reinhard says and it’s clear what happened with this<br />
frame, but is the world ready for this kind of image? He needs to decide within minutes. Welcome<br />
to the everyday difficulties of depicting a story that keeps rolling on with new horrors.<br />
This film gets behind the world’s oldest news agency to show how the news is made and reported<br />
on, from the first ambulance text of an accident in Jerusalem to the front page of the papers the<br />
next morning. Few of us stop to think how our stories and pictures come to us. With unprecedented<br />
access Shooting under Fire shows us the full process, highlighting the staggeringly fast<br />
digital technology, the difficult morals that await even the toughest of snappers, and the extreme<br />
lives that people lead in a land in war.<br />
75’<br />
75’<br />
67
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