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THE COIN COLLECTOR - World eBook Library

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<strong>THE</strong> <strong>COLLECTOR</strong> SERIES<br />

reigns, such as those of Hadrian and Antoninus Pius,<br />

present us with large bronze medallions and smaller<br />

pieces of silver rich in archaeological interest, and in<br />

testimony to the respect still cherished for the tradi-<br />

tions of the mythical epoch or for the Greek cults which<br />

the joint influence of trade and conquest had made<br />

familiar to the Romans. This fine and valuable series<br />

in the two metals exists of the emperors from Augustus<br />

to the Antonines, but specimens are rare. The first<br />

brass struck at Alexandria with various mythological<br />

reverses, chiefly of local or at least Asiatic origin, under<br />

some of the later Caesars, may be classed under the<br />

same head ; these are not uncommon, except in high<br />

preservation.<br />

As in the Consular coinage, there are many exceptions<br />

to the prevailing rule in regard to the scarcity of the<br />

imperial money in the respective metals. The bulk of<br />

it is remarkably common, especially in second and third<br />

brass ; but the first brass of many reigns, and of those<br />

out of the direct line of succession, such as Marciana<br />

and Matidia, is difficult to procure ; and patination is<br />

imperative. The gold and silver of the earlier Caesars<br />

is mostly plentiful, but the later and briefer reigns offer<br />

frequent difficulties to the collector who aims at being-<br />

complete. The work alike in both metals is very<br />

unequal, and even on the same coin the obverse is<br />

superior to the reverse, the artist who engraved the por-<br />

trait proving less successful in the symbol or allegory<br />

on the other side. As we have noted under Greece,<br />

the objects on the reverse often doubtless represent<br />

116

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