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THE COIN COLLECTOR - World eBook Library

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<strong>THE</strong> <strong>COLLECTOR</strong> SERIES<br />

sion with stating that with Pedro the First, 1357-67,<br />

the currency began to improve in volume, fabric, and<br />

national costume ; and this is another way of saying<br />

that the movement, which had had its first stimulus on<br />

French soil under Louis IX., and in Italy collaterally at<br />

Florence and Venice, made its influence sensible about<br />

a century later in Portugal, as it did in Germany, Eng-<br />

land, and Castile. The successors of Pedro I. carried on<br />

the work, which he assisted in promoting ; and Duarte I.<br />

not only developed the gold currency, but substituted<br />

pure copper for the mixed metal hitherto employed for<br />

the lower values, thus anticipating nearly every other<br />

European state in a most useful reform. Between the<br />

middle of the fifteenth and that of the sixteenth century<br />

the increasing prosperity of the country, crowned by<br />

the important geographical achievements of its mari-<br />

time explorers, brought the currency to the height of<br />

its variety, amplitude, and splendour ; and it has been<br />

shown how the magnificent gold portuguez of Emmanuel<br />

(1495-1521) perpetuated in its legends the noble ser-<br />

vices performed by Bartolommeo Diaz and Vasco da<br />

Gama for their native land. Beyond this chronological<br />

limit the Portuguese numismatic annals never practi-<br />

cally exhibited any real progress ; but, on the other<br />

hand, while the national strength and rank steadily<br />

declined, the money betrayed no symptoms of narrower<br />

political and financial resources, unless we reckon as<br />

such the very frequent occurrence during the seventeenth<br />

century of countermarked pieces ; and we observe down<br />

to the present century an abundance of beautiful ex-<br />

154

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