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feature film - Paris Cinéma

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LIFELONG<br />

Aslı Özge<br />

2013 / TURKEY, GERMANY, NETHERLANDS<br />

Ela, a dancer/actress whose career is stalled, and Can, her<br />

architect husband, live in an Istanbul suburb. They seem to lead<br />

an idyllic life. But when their daughter leaves for ankara to study,<br />

they find themselves in a risky face-off, which falters when Ela<br />

stumbles on her husband making a secret phone call.<br />

Lifelong, the second <strong>film</strong> by this Turkish director after the highly<br />

acclaimed Men on the Bridge, draws a raw portrait of the Istanbul<br />

bourgeoisie, horridly concerned about appearances. Favouring<br />

blue and grey tones in a cold, modern interior with an oppressive<br />

transparency, aslı Özge uses all her directorial talents in a <strong>film</strong><br />

that recalls antonioni.<br />

Presented at <strong>Paris</strong> Project in 2011<br />

SECOND FILM / FRENCH PREMIERE<br />

1h42 / DCP / colour / French subtitles<br />

original title Hayatboyu<br />

screenplay aslı Özge<br />

production Bulut Film, sodamedya Interactive, razor Film, augustus Film,<br />

Kaliber Film, The Post republic<br />

cinematography Emre Erkmen<br />

sound Marcel de hoogd<br />

editing Natali Barrey, aslı Özge<br />

cast defne halman, hakan Çimenser, Gizem akman, Onur dikmen<br />

distribution France Zootrope Films<br />

international sales Films Boutique<br />

BIOGRAPHY<br />

Born in Istanbul in 1975, aslı Özge studied communication and cinema in Turkey<br />

before moving to Berlin. after several short <strong>film</strong>s, she directed her first <strong>feature</strong>length<br />

<strong>film</strong> Men on the Bridge, selected in locarno and Toronto and awarded<br />

prizes in many festivals. Lifelong is her second <strong>feature</strong> <strong>film</strong>.<br />

FILMOGRAPHY<br />

Little Frosh (short, 1996), Actually (short, 1997), 3 etc (short, 1998),<br />

Quirck (short, 1999), Capital C (short, 2000), Little Bit of April (2003),<br />

Hesperos’ Apprentices (doc, 2005), Men on the Bridge (2009)<br />

15<br />

THE MOVING CREATURES<br />

Caetano Gotardo<br />

OFFICIAL SELECTION<br />

International competition<br />

2012 / BRAzIL<br />

The lives of three families is suddenly upset: that of Pedro, whose<br />

placid pace is suddenly turned upside down by an unexpected<br />

visit; of Eduardo, who begins to feel a strange pain when he is<br />

about to go on holiday with his wife and child; and of ana and<br />

João, who are about to be reunited with their child who was<br />

stolen at birth 16 years ago.<br />

The musical moments that the young director Caetano Gotardo<br />

uses to subtly shade the dramatic consequences of these events<br />

keep the viewer constantly attentive, on the edge of implosion.<br />

a <strong>film</strong> that conveys a powerful, universal reality.<br />

Presented at <strong>Paris</strong> Project in 2010<br />

FIRST FILM<br />

1h37 / DCP / colour / French subtitles<br />

original title O que se move<br />

screenplay Caetano Gotardo<br />

production dezenove<br />

cinematography heloisas Passos<br />

sound Gabriela Cunha<br />

editing Julana rojas<br />

music Marco dutra, Caetano Gotardo<br />

cast Cida Moreira, andrea Marquee, Fernanda Vianna, Wandré Gouveia,<br />

rômulo Braga<br />

distribution France damned distribution<br />

international sales Urban distribution International<br />

BIOGRAPHY<br />

Born in Brazil in 1981 and graduated in <strong>film</strong> and video from the University of são<br />

Paulo, Caetano Gotardo wrote and directed several short <strong>film</strong>s, including Areia<br />

(2008) selected for the Critics’ Week at Cannes in 2008, before making this<br />

debut <strong>feature</strong>-length <strong>film</strong>.<br />

FILMOGRAPHY<br />

Areia (short, 2008), O menino japonês (short, 2009), Os barcos (short, 2012)

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