feature film - Paris Cinéma
feature film - Paris Cinéma
feature film - Paris Cinéma
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LIFELONG<br />
Aslı Özge<br />
2013 / TURKEY, GERMANY, NETHERLANDS<br />
Ela, a dancer/actress whose career is stalled, and Can, her<br />
architect husband, live in an Istanbul suburb. They seem to lead<br />
an idyllic life. But when their daughter leaves for ankara to study,<br />
they find themselves in a risky face-off, which falters when Ela<br />
stumbles on her husband making a secret phone call.<br />
Lifelong, the second <strong>film</strong> by this Turkish director after the highly<br />
acclaimed Men on the Bridge, draws a raw portrait of the Istanbul<br />
bourgeoisie, horridly concerned about appearances. Favouring<br />
blue and grey tones in a cold, modern interior with an oppressive<br />
transparency, aslı Özge uses all her directorial talents in a <strong>film</strong><br />
that recalls antonioni.<br />
Presented at <strong>Paris</strong> Project in 2011<br />
SECOND FILM / FRENCH PREMIERE<br />
1h42 / DCP / colour / French subtitles<br />
original title Hayatboyu<br />
screenplay aslı Özge<br />
production Bulut Film, sodamedya Interactive, razor Film, augustus Film,<br />
Kaliber Film, The Post republic<br />
cinematography Emre Erkmen<br />
sound Marcel de hoogd<br />
editing Natali Barrey, aslı Özge<br />
cast defne halman, hakan Çimenser, Gizem akman, Onur dikmen<br />
distribution France Zootrope Films<br />
international sales Films Boutique<br />
BIOGRAPHY<br />
Born in Istanbul in 1975, aslı Özge studied communication and cinema in Turkey<br />
before moving to Berlin. after several short <strong>film</strong>s, she directed her first <strong>feature</strong>length<br />
<strong>film</strong> Men on the Bridge, selected in locarno and Toronto and awarded<br />
prizes in many festivals. Lifelong is her second <strong>feature</strong> <strong>film</strong>.<br />
FILMOGRAPHY<br />
Little Frosh (short, 1996), Actually (short, 1997), 3 etc (short, 1998),<br />
Quirck (short, 1999), Capital C (short, 2000), Little Bit of April (2003),<br />
Hesperos’ Apprentices (doc, 2005), Men on the Bridge (2009)<br />
15<br />
THE MOVING CREATURES<br />
Caetano Gotardo<br />
OFFICIAL SELECTION<br />
International competition<br />
2012 / BRAzIL<br />
The lives of three families is suddenly upset: that of Pedro, whose<br />
placid pace is suddenly turned upside down by an unexpected<br />
visit; of Eduardo, who begins to feel a strange pain when he is<br />
about to go on holiday with his wife and child; and of ana and<br />
João, who are about to be reunited with their child who was<br />
stolen at birth 16 years ago.<br />
The musical moments that the young director Caetano Gotardo<br />
uses to subtly shade the dramatic consequences of these events<br />
keep the viewer constantly attentive, on the edge of implosion.<br />
a <strong>film</strong> that conveys a powerful, universal reality.<br />
Presented at <strong>Paris</strong> Project in 2010<br />
FIRST FILM<br />
1h37 / DCP / colour / French subtitles<br />
original title O que se move<br />
screenplay Caetano Gotardo<br />
production dezenove<br />
cinematography heloisas Passos<br />
sound Gabriela Cunha<br />
editing Julana rojas<br />
music Marco dutra, Caetano Gotardo<br />
cast Cida Moreira, andrea Marquee, Fernanda Vianna, Wandré Gouveia,<br />
rômulo Braga<br />
distribution France damned distribution<br />
international sales Urban distribution International<br />
BIOGRAPHY<br />
Born in Brazil in 1981 and graduated in <strong>film</strong> and video from the University of são<br />
Paulo, Caetano Gotardo wrote and directed several short <strong>film</strong>s, including Areia<br />
(2008) selected for the Critics’ Week at Cannes in 2008, before making this<br />
debut <strong>feature</strong>-length <strong>film</strong>.<br />
FILMOGRAPHY<br />
Areia (short, 2008), O menino japonês (short, 2009), Os barcos (short, 2012)