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feature film - Paris Cinéma

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iT’s A mAD, mAD,<br />

mAD, mAD WOrLD<br />

stanley Kramer<br />

1962 / USA<br />

Eight vacationers come to<br />

the aid of the victim of a car<br />

accident. Before dying, the<br />

man, a gangster, says that<br />

he has hidden the loot of his<br />

crimes in the small town<br />

of Santa Rosita. This is the<br />

starting point of an explosive<br />

treasure hunt.<br />

Director-producer Stanley<br />

Kramer, who had previously<br />

focused on serious or solemn<br />

subjects, made a brilliant<br />

start in comedy. A tribute to<br />

the slapstick of silent <strong>film</strong>s<br />

from the 1920s, this hit <strong>film</strong><br />

is nonetheless a scathing<br />

criticism of human greed.<br />

2h39 / DcP / colour / French subtitles<br />

restored print<br />

screenplay William Rose, Tania Rose<br />

production United Artists<br />

cinematography Ernest Laszlo<br />

music Ernest Gold<br />

cast Spencer Tracy, Milton Berle,<br />

Sid Caesar, Buddy Hackett,<br />

Mickey Rooney<br />

distribution France Swashbuckler<br />

Films<br />

THe KiNG AND THe<br />

mOCKiNG BirD<br />

paul Grimault<br />

1980 / FRANCE / ANIMATION<br />

The despotic king of Takicardia<br />

decides to force a young<br />

shepherdess to marry him,<br />

but he is opposed by the<br />

chimneysweep and Bird, the<br />

sworn enemy of the king.<br />

Paul Grimault and Jacques<br />

Prévert’s collaboration<br />

produced this beautiful<br />

<strong>film</strong> about oppression and<br />

freedom. There are surprisingly<br />

topical issues such as the<br />

standardization of the masses,<br />

materialism, and weapons<br />

of mass destruction.<br />

A masterpiece to be watched<br />

over and over again.<br />

1h27 / DcP / colour / French<br />

restored print<br />

original title Le Roi et l’Oiseau<br />

screenplay Jacques Prévert,<br />

Paul Grimault<br />

based on “The Shepherdess and the<br />

Chimney Sweep” by Hans Christian<br />

Andersen<br />

production Les Films Paul Grimault,<br />

Les Films Gibé, Antenne 2<br />

cinematography Gérard Soirant<br />

editing Paul Grimault<br />

music Wojciech Kilar<br />

voices Jean Martin, Pascal Mazzotti,<br />

Raymond Bussières, Agnès Viala,<br />

Renaux Marx<br />

distribution France Sophie Dulac<br />

Distribution<br />

46<br />

THe LADies mAN<br />

Jerry Lewis<br />

1961 / USA<br />

Discovering that his girlfriend<br />

is unfaithful, young Herbert<br />

becomes an inveterate<br />

misogynist and decides to<br />

avoid all contact with women.<br />

On a misunderstanding, he is<br />

hired by a boarding school for<br />

girls, and his nightmare just<br />

begins.<br />

Between anxiety and humor,<br />

Jerry Lewis <strong>film</strong>s male-female<br />

antagonistic relationships,<br />

nevertheless constantly<br />

marked by seduction. With a<br />

clearly unrealistic and garish<br />

decor, the <strong>film</strong> is a wonderful,<br />

dreamlike experience.<br />

1h35 / DcP / colour / French subtitles<br />

restored print<br />

screenplay Jerry Lewis, Bill Richmond<br />

production Paramount<br />

cinematography W. Wallace Kelley<br />

editing Stanley Johnson<br />

music Walter Scharf<br />

cast Jerry Lewis, Kathleen Freeman,<br />

Helen Traubel, Pat Stanley, George Raft<br />

distribution France Swashbuckler<br />

Films<br />

premieres<br />

<strong>Paris</strong> CinéClassics<br />

THe mAN WHO<br />

KNeW TOO mUCH<br />

Alfred Hitchcock<br />

1934 / UK<br />

On holiday in Switzerland<br />

with their daughter, Bob<br />

and Jill Lawrence befriend a<br />

Frenchman. He is assassinated<br />

shortly afterwards, but before<br />

he dies, he warns Bob that a<br />

diplomat will suffer the same<br />

fate. To prevent the couple from<br />

talking, the future murderers<br />

kidnap their daughter...<br />

A perfect clockwork thriller, The<br />

Man Who Knew Too Much is a<br />

gripping, tormented work about<br />

evil and guilt. Alfred Hitchcock<br />

himself made a remake of his<br />

<strong>film</strong> some twenty years later.<br />

1h24 / DcP / black and white<br />

French subtitles / restored print<br />

screenplay A. R. Rawlinson, Charles<br />

Bennett, D. B. Wyndham-Lewis,<br />

Edwin Greenwood<br />

production Gaumont British Picture<br />

Corporation<br />

cinematography Curt Courant<br />

editing Hugh Stewart<br />

music Arthur Benjamin<br />

cast Leslie Banks, Peter Lorre,<br />

Pierre Fresnay<br />

distribution France Mission

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