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feature film - Paris Cinéma

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pLeiN sOLeiL<br />

rené Clément<br />

1960 / FRANCE, ITALY<br />

Philippe, the son of an<br />

American billionaire, is on an<br />

unlimited holiday in Italy with<br />

his fiancée, Marge. He lives<br />

the good life until the day that<br />

Tom Ripley arrives with the<br />

mission of bringing him back to<br />

San Francisco, on his father’s<br />

orders. An unhealthy relation<br />

between the two men is born.<br />

With a modern production,<br />

Plein Soleil is a lesson in<br />

cinema, combining poetry and<br />

extreme tension, suspense<br />

and psychological drama.<br />

Performed by three exceptional<br />

actors headed up by Alain<br />

Delon, this masterpiece is a<br />

landmark of French cinema.<br />

cannes classics,<br />

2013 cannes Film Festival<br />

1h53 / DcP / colour<br />

English subtitles / restored print<br />

screenplay René Clément,<br />

Paul Gégauff<br />

based on “Mr Ripley”<br />

by Patricia Highsmith<br />

production <strong>Paris</strong>-Films Production,<br />

Titanus<br />

restoration L’Immagine Ritrovata<br />

cinematography Henri Decae<br />

editing Françoise Javet<br />

music Nino Rota<br />

cast Alain Delon, Marie Laforêt,<br />

Maurice Ronet, Elvire Popesco,<br />

Erno Crisa<br />

distribution France Carlotta Films<br />

rYAN’s DAUGHTer<br />

David Lean<br />

1970 / UK<br />

In 1916 in Kirary, Rosy marries<br />

the man she loves. But this<br />

romantic young girl is soon<br />

disappointed and begins an<br />

affair with a British officer.<br />

The director of the worldwide<br />

success Doctor Zhivago<br />

freely adapted “Madame<br />

Bovary” in an Irish setting. The<br />

landscapes that Rosy blends<br />

into are a breathtakingly<br />

ingenious metaphor for the<br />

infinite dreams of a fatally<br />

disappointed girl. A poignant<br />

story about love and loss of<br />

illusions, with the backdrop of<br />

the First World War.<br />

3h16 / DcP / colour / French subtitles<br />

restored print<br />

screenplay Robert Bolt<br />

production MGM, Faraway Productions<br />

cinematography Freddie Young<br />

sound John Bramall, Gordon<br />

McCallum<br />

editing Norman Savage<br />

music Maurice Jarre<br />

cast Robert Mitchum, Sarah Miles,<br />

Christopher Jones, Trevor Howard,<br />

John Mills<br />

distribution France Lost Films<br />

48<br />

siDeWALK sTOries<br />

Charles Lane<br />

1989 / USA<br />

In New York, a street artist<br />

befriends a little girl whose<br />

father has been murdered.<br />

A rich young woman takes a<br />

liking to the unusual duo.<br />

Charles Lane has made his first<br />

<strong>feature</strong>-length <strong>film</strong>, one that is<br />

poignant and droll, in which he<br />

tries to change our perception<br />

of the homeless. This silent,<br />

black and white <strong>film</strong> is both a<br />

tribute to Charlie Chaplin’s The<br />

Kid and a realistic portrayal of<br />

the everyday existence of the<br />

have-nots.<br />

1h38 / DcP / black and white<br />

no dialogue / restored print<br />

screenplay Charles Lane<br />

production Rhinoceros Productions<br />

restauration L’immagine Ritrovata<br />

cinematography Bill Dill<br />

editing Anne Stein, Charles Lane<br />

music Marc Marder<br />

cast Charles Lane, Nicole Alysia,<br />

Sandye Wilson, Darnell Williams,<br />

Trula Hoosier<br />

distribution France Carlotta Films<br />

sULLiVAN’s<br />

TrAVeLs<br />

preston sturges<br />

premieres<br />

<strong>Paris</strong> CinéClassics<br />

1941 / USA<br />

A director of Hollywood<br />

comedies decides to make a<br />

change and to begin directing<br />

drama, portraying the daily<br />

life of the underprivileged. But<br />

how can he do so when all he<br />

knows about life is luxury and<br />

glamour? To do his research,<br />

he goes out in rags, but with<br />

millions of dollars in his<br />

pocket.<br />

Both social and screwball<br />

Hollywood comedy, the <strong>film</strong><br />

is as enjoyable as it is ironic.<br />

Beginning by mocking himself,<br />

Preston Sturges mixes genres<br />

and dedicates his <strong>film</strong> to<br />

“those who have made us<br />

laugh” for having “lightened<br />

our burden.”<br />

1h30 / DcP / black and white<br />

French subtitles / restored print<br />

screenplay Preston Sturges<br />

production Paramount Pictures<br />

cinematography John F. Seitz<br />

editing Stuart Gilmore<br />

music Roy Webb, Charles Bradshaw,<br />

Leo Shuken<br />

cast Joel McCrea, Veronica Lake,<br />

Robert Warwick, William Demarest,<br />

Franklin Pangborn, Porter Hall<br />

distribution France Splendor Films

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