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feature film - Paris Cinéma

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ANTON WEBERN GBANGA-TITA<br />

WILD BLUE<br />

THIERRY KNAUFF RAoUL SERVAIS<br />

ANToN WEBERN<br />

1991<br />

The life and work of the<br />

composer Anton Webern.<br />

Poetry as a way of life.<br />

26 min / 35 mm / black and white<br />

production Productions du Sablier,<br />

Agat Films, Aichholzer Filmproduktion,<br />

La Sept, RTBF – Carré Noir<br />

GBANGA-TITA<br />

1994<br />

Lenge is a Baka pygmy,<br />

among the last storytellers in<br />

the rainforest of southeastern<br />

Cameroon. From time<br />

immemorial, the face and voice<br />

of Lenge recall Gbanga Tita,<br />

the Calabash God.<br />

official selection, 1995 Clermont-<br />

Ferrand short Film Festival<br />

7 min / 35 mm / black and white<br />

production Productions du Sablier<br />

WILD BLUE<br />

2000<br />

A succession of fragments<br />

of life, the <strong>film</strong> gathers<br />

children, trees, and winds<br />

much like musical motifs.<br />

Out of this variation, from<br />

a world ravaged by civil and<br />

religious horror, arises a simple<br />

poem of listening.<br />

official selection, Un Certain<br />

Regard, 2000 Cannes Film<br />

Festival<br />

68 min / 35 mm / black and white<br />

production Productions du Sablier,<br />

La Sept-ARTE, Artline Films,<br />

Man’s Films, Navigator <strong>film</strong>s,<br />

RTBF – Carré Noir<br />

82<br />

CHRoMoPHoBIA<br />

1965<br />

Grey legions invade the world<br />

of colour with the intent of<br />

imposing the total domination<br />

of black-grey-white.<br />

The resistance is mounted<br />

in the form of a scarlet jester<br />

Tyl Ulenspiegel, the legendary<br />

Flemish figure.<br />

10 min / 35 mm / colour<br />

source Anagram<br />

GoLDFRAME<br />

1969<br />

Jason Goldframe, an important<br />

Hollywood <strong>film</strong> producer, wants<br />

to be the first one to produce<br />

a 270mm <strong>film</strong>. He tries to<br />

outdo himself and he becomes<br />

obsessed with this challenge.<br />

5 min / 35 mm / black and white<br />

French subtitles<br />

source Anagram<br />

To SPEAK<br />

oR NoT To SPEAK<br />

1970<br />

The man in the street is<br />

interviewed about the political<br />

situation. He gives answers<br />

that are evasive, banal, and<br />

incoherent while a marginal<br />

character, a sort of hippie,<br />

dares to provide a more<br />

colourful opinion.<br />

11 min / 35 mm / colour<br />

French subtitles<br />

source Anagram<br />

MADE IN BELGIËQUE<br />

Short Film Overview<br />

oPERATIoN X-70<br />

1971<br />

A powerful nation is<br />

experimenting with a new<br />

gas that, rather than killing<br />

or injuring the subjects,<br />

transports them into a<br />

lethargic and mystical state.<br />

10 min / 35 mm / colour<br />

French subtitles<br />

source Anagram<br />

PEGASUS<br />

1973<br />

An old blacksmith with no more<br />

work is too old to be recycled<br />

in modern technological<br />

society. His frustration leads<br />

to an absurd sublimation<br />

of a horse, leading him to<br />

create an amazing other world.<br />

8 min / 35 mm / colour<br />

source Anagram<br />

HARPYA<br />

1979<br />

During an evening walk,<br />

Mr. Oscar is witness to an<br />

aggression and discovers,<br />

to his amazement, that the<br />

woman that he has just<br />

rescued is a real terror.<br />

Palme d’or for Best short Film,<br />

1976 Cannes Film Festival<br />

9 min / 35 mm / colour<br />

source Anagram

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