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Unbridling the Tongues of Women - The University of Adelaide

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Photograph by Mick Bradley<br />

Susan Magarey AM, FASSA, PhD, was made a member <strong>of</strong> <strong>the</strong> Order <strong>of</strong> Australia<br />

for pioneering <strong>Women</strong>’s Studies as a field <strong>of</strong> academic endeavour.<br />

Her publications include four books: <strong>the</strong> prize-winning biography <strong>of</strong> Ca<strong>the</strong>rine<br />

Helen Spence, <strong>Unbridling</strong> <strong>the</strong> tongues <strong>of</strong> women (1986) now being re-published;<br />

Passions <strong>of</strong> <strong>the</strong> first-wave feminists (2001); Looking Back: Looking Forward. A Century<br />

<strong>of</strong> <strong>the</strong> Queen <strong>Adelaide</strong> Club 1909-2009 (2009); and, with Kerrie Round, Roma <strong>the</strong><br />

First: a Biography <strong>of</strong> Dame Roma Mitchell (2007, second, revised, imprint 2009). She<br />

has edited eight collections <strong>of</strong> articles – including <strong>Women</strong> in a Restructuring Australia:<br />

Work and Welfare (1995) with Anne Edwards, and Debutante Nation: Feminism<br />

Contests <strong>the</strong> 1890s (1993) with Sue Rowley and Susan Sheridan – and was for twenty<br />

years (1985-1995) <strong>the</strong> Founding Editor <strong>of</strong> <strong>the</strong> triannual journal Australian Feminist<br />

Studies.<br />

She is <strong>the</strong> Founder <strong>of</strong> <strong>the</strong> Magarey Medal for Biography and a member <strong>of</strong><br />

<strong>the</strong> Board <strong>of</strong> History SA. She is writing a history <strong>of</strong> <strong>the</strong> <strong>Women</strong>’s Liberation Movement<br />

in Australia. For fun, she swims, gardens, cooks and listens to classical music.<br />

She describes her life in <strong>the</strong> words <strong>of</strong> Australian poet Jennifer Maiden: ‘Ambivalent,<br />

ambidextrous, ambiguous, androgynous, amorous, ironic’. In her next life she will<br />

be a trapeze artist.

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