Unbridling the Tongues of Women - The University of Adelaide
Unbridling the Tongues of Women - The University of Adelaide
Unbridling the Tongues of Women - The University of Adelaide
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<strong>The</strong> line <strong>of</strong> least resistance<br />
‘Am I not trying all I can?’ asked he, in return. ‘Will you have me? I am<br />
sure you are just <strong>the</strong> woman – I beg pardon, I mean <strong>the</strong> lady – for me,<br />
and I would make you a good husband’.<br />
‘I thought everybody knew I was engaged?’ said Grace, scarcely less<br />
amused than astonished.<br />
‘Engaged – whom to?’ asked Humberstone, eagerly.<br />
‘To Henry Martin, who is now with my bro<strong>the</strong>rs at <strong>the</strong> diggings. We have<br />
been engaged for two years and a half, and I never dreamed <strong>of</strong> you not<br />
knowing it’.<br />
‘Two years and a half! Henry Martin <strong>of</strong> <strong>the</strong> Burra! Why, Bless my soul!<br />
who would have thought <strong>of</strong> such a thing? And you don’t think you could<br />
like me better? I am rich enough, and would cross you in nothing, and<br />
Escott is so anxious to have a lady about <strong>the</strong> place’. Grace shook her head.<br />
‘Could you speak a good word for me to your sister?’ said Humberstone.<br />
‘If I cannot have you, I should like her next best. She is not engaged to<br />
anybody, I hope’.<br />
‘Which sister do you mean, for it would be awkward if I recommended<br />
you to <strong>the</strong> wrong one?’ Grace answered, with comic gravity.<br />
‘I mean your tall sister, with <strong>the</strong> clear blue eyes; <strong>the</strong> one that sang with<br />
Reginald. I think she would suit me nearly as well as yourself’.<br />
‘Well!’ said Grace, almost laughing outright, ‘I will mention <strong>the</strong> thing to<br />
Margaret’.<br />
‘Will you beg her to come and see me now?’ quoth <strong>the</strong> impatient suitor.<br />
‘Only don’t let her know that I asked you for she might not like to wear<br />
your old shoes, you understand’. 56<br />
Clara Morison is undoubtedly <strong>the</strong> novel in which Spence’s prose most nearly has,<br />
as Kay Daniels has observed, ‘a Jane Austen sparkle and economy’. 57 But <strong>the</strong> dialogue<br />
in her later novels, even without <strong>the</strong> humour, is just as telling. Listen to Robert<br />
North, from Tender and True, asking his wife how <strong>the</strong>y managed for money while<br />
55