Drama Boreale - Åbo Akademi
Drama Boreale - Åbo Akademi
Drama Boreale - Åbo Akademi
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scenarios of temptations that are common at this age level; true stories of adolescences’<br />
addiction and invitations to problem-solve in dealing with people.<br />
Having looked at the Stage Pages, I am back to the lived experience of the performance,<br />
the here and now. I take field-notes, keenly aware of Burrows’ words on the<br />
“phenomenally evanescent, relentlessly moving, ever changing” reality of theater, so<br />
different from the stable Stage-pages which I hold in my hands.<br />
10 9:50. I glance over the attendance list, seeing a mixture of high schools and middle<br />
schools listed, with nearly 600 attendees. The set consists of a single microphone<br />
stand and microphone in the middle of the stage. A single bottle of water sits on the<br />
floor, a few feet in-front of the microphone. A screen makes up the backdrop, the<br />
bottom half is covered in gory, drawn faces – the withdrawn, dead eyes of the zombies<br />
from horror flicks. A reddish-orange light illuminates the pictures, brightest on the<br />
bottom right corner and fading as it moves across. There is a large white face in the<br />
center, eyes and drawn cheek bones denoted by black lines. Otherwise the face is pale.<br />
It appears back lit with soft white lights. Across the top of the screen, on large, red,<br />
block graffiti letters, is the word “Hooked,” A set of speakers on tall stands sits on<br />
either side of the stage. Hip-hop music emanates from these speakers, not as loud as it<br />
would be in a club. Rather, the volume is medium – can be clearly heard, but not so<br />
loud as to drown out the buzz of conversation in the room.<br />
The audience seem to be between 7 th grade and 12 th grades, 12 – 18 years old. The<br />
dress is casual: jeans, t-shirts, sweatshirts. About 1/3 of the audience in this audience<br />
includes Blacks, Hispanic/Latino(a), and some Asian. It is now a little after 10am, and<br />
kids are still settling in.<br />
10:05. The lights dim. Immediately, enthusiastic cheers, applause, and shouting<br />
emerge from the audience.<br />
The lights go down completely. The eerie white face on the screen glows with that<br />
eerie sickly-green color of glow-in-the-dark materials. Again, the audience cheers<br />
rowdily. An actor takes the mic, and begins with a percussion scat. The audience<br />
calms and quiets down. The actor begins by talking about zombie movies, how<br />
zombies have changed over the years. In the old movies zombies stumbled and<br />
wobbled, not really walked after their prey. An old video of the stumbling zombie is<br />
projected on the white face of the back screen, illustrating the spoken words. But<br />
today, zombies don’t stumble, they run… run after their prey with an endless craving<br />
for flesh. This too is illustrated with video. “Craving flesh as much as air.” Then, he<br />
begins a hip-hop riff. The kids clap with the rhythm, and call out: “hey! Hoooo! Hey!<br />
Hoooo!” He sings: “The flesh is crystal meth 11 .” The audience response, Julia notes,<br />
feels more like we are at a hip-hop concert than a theater performance.<br />
The actor, playing the role of Stan, easily evokes laughter and responses from the<br />
audience. He speaks of pain… “low expectations are easy to fill.” Stan speaks of his<br />
father’s heart attack happening in a sleazy hotel with his mistress. Stan speaks of how<br />
he had to spend every other weekend with his father and his father’s girlfriend<br />
because “some judge said it was so.” “Pops was always on me about everything.” The<br />
text conveys the pain of being misunderstood, of feeling lost; the struggle of growing<br />
up in a broken home, parents’ divorce, searching for one’s own identity in the turmoil.<br />
10 This performance was attended by both Julia Panke Makela and myself. This abbreviated<br />
vignette is taken primarily from Julia’s field-notes.<br />
11 Methamphetamine is an addictive stimulant drug that strongly activates certain systems in the<br />
brain. Street methamphetamine is referred to by many names, such as "speed," "meth," and<br />
"chalk." Methamphetamine hydrochloride, clear chunky crystals resembling ice, which can be<br />
inhaled by smoking, is referred to as "ice," "crystal," and "glass."<br />
(retrieved from http://www.theantidrug.com/DRUG_INFO/drug_info_meth.asp)<br />
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