PM History/2 - Legacy Tobacco Documents Library
PM History/2 - Legacy Tobacco Documents Library
PM History/2 - Legacy Tobacco Documents Library
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<strong>PM</strong> history/3<br />
OVERALL <strong>PM</strong> SALES DROPPED IN BOTH '53 &'54, mkt share off to 8 .7Y6 as<br />
Lorillard w/Kent shoots by it into 4th place=NEED TO TRY SOMETHING NEW, 30/<br />
need £ arl riced new f ter . . .MeC mas gives Weissman the o<br />
o£ evelovina the new eitT in Jan •5 -- a step e a urged upon jo ning<br />
the co . e draws to ge er team from adv ., production & research, hired<br />
Roper researcg ou}I'i-E to survey the mkt, massive questionioning in '53<br />
& "The results of the thing were fabulous," t31e some 61% of resnondents<br />
had tried filters but reiected them because of lac o taste or because<br />
t ey were perceived as e££eminate & s ssyish, a key factor in era when<br />
male smokers heavily outnumbered £emale, thus "THE MISSION WAS TO CREATE<br />
STRONG FLAVOR, A MASCULINE LOOKING PACK, & A MACHO CAMPAIGN"#*'+'*#+''thus,<br />
giving up the old Marlboro brand & seizing up the name, it h~~a~~d~ne~_ bg-<br />
Come extinct//tests showed that Marlboro name was erfectl £ n-e ha<br />
mascul e rin + residue of hi h ual t from via its premum<br />
price , 32 . ., t so £ w t the B T -<br />
S<br />
ILT Winston as in Churchil , Kent though named for Lorillard<br />
CEO , and B&W's Viceroy . . .New adv agency hired, acct exec on <strong>PM</strong> was<br />
David Lyon, son oP <strong>PM</strong>'s chairman, "a rustic, maverick genius" to Weissman<br />
who didn't ever receive enough credit/BQS~S_MILHISER_~Ts_COMES NEN~~31<br />
ADV MGR, m33 . . .hiring Frank Giannotto, NY industr3 .al designer, for "bold<br />
masculine-type package," picked out present version from early candidates<br />
though it had parallel lines & name wasn't capitalized, although type<br />
had the distinctive "1" and "b" ascenders + pic o£ cig on front bet . name<br />
& roof . . .MORE STRIKING= the hinged-lid or "flip-top" box, t34, not entirely<br />
novel since ten-cig packs had •em & a German brand had the fullsized<br />
pack//2uch internal opposition . Weis_sman recalled, old-fa~ :f- .~-.-- . .x-• a3<br />
w -~-d- ~'i~--- de~} packa i e~m e _ B : Marlboro nee ?~ _if#'eren De --t<br />
. ~ bein<br />
1`atento the mkt tw types o£ filtersa cork-t pped flush £ilter +<br />
w e- anded recessed filter . . . DENVER & DALLAS test-mkts/new tob . blend/<br />
fabulous test results . . .Millhisers '•I was vious that the b<br />
to go . .Dallas cork-tippe mo el d d better NEW ADV . AGENCY as old one<br />
f~.3ed~during test-mkting, 35 . .•SEARCH FOR NEW AGENCY, 36, then better<br />
known for its bravado than size of its acets, invented the "Green Giant"<br />
for Minn Valley Canco in '35 . Kellogg's Tony (?) the Tiger & Lava soap,<br />
but still only a few steps beyond bein small midwe y when<br />
<strong>PM</strong> called -- u then a ar y a uggernaut i .tself just then, 37/<br />
mutual apprehension is fruitful as desi of ack is refined : e ermint<br />
stri es come off the roof, capit ized name . .. i is e ad o e<br />
cres , feei ng 3.t woul tie the brand to smaller, urban sophisticate mkt,<br />
~'oo much of an old thing "& I was aimin at „ 38/B1JSa J4s. .<br />
Cullman & B ett wanted a e s+ Louis Cheskin of Co1orResearch Institute<br />
who tested it, deta ls on the test .m3.8 as 80% oP subjects gave<br />
it favorable rating : subconscious assn w eualitv & nreati~ei people will<br />
never tell you they prefer a pac age because o£ the erest#'~~'*'~"M'~'**'~use . . .<br />
vs . phallic symbol of the cig, acc . to Millhiser . . . thus, n.,~es softened<br />
a fairl hara~h deai_~ , angularity of the design aimed at men but no one<br />
wan~d a~3.enate-the female smoker + also a tie to the old Marlboro that<br />
had a crest on it . . .MARLBORO DEBUT JANUARY ' r no ing h ser s def -<br />
it on as a c desa men th t wom n "//four maj or elements<br />
in first campa gn . "Filter, Flavor, F1ip-top Box" was three o£ them . . .<br />
"the filter doesn't get bet . you & the flavor" + "this new Marlboro makes<br />
it easy to change to a£ilter" + 4th element of I~ASCULINITY<br />
. launehjns1 the Mar,lb2 ~Men/"Manly, con£ident, they were successes in their fields<br />
ye$ no ab ove getting their hands dirty, the ads seemed to say, depicting<br />
an array of cowboys, stevedores, golfers, librarians, bizmen, swim coaches,<br />
tree-trimmers, hunters, sailors . . .most memorable . their PACES, 40s men<br />
are middle-aged, not always clean-shaven, somet3mes spectacled, sometimes<br />
bald, often casually dressed -- A CONTRIVED ORDINARINESS about them that<br />
contrasted w/manicured features of av male model, . .the real idea was to<br />
show i o e'~ : rroug<br />
- ewn, craggy types, believable eo 1e vs<br />
'grett~y-boy models . . .as much a contrast to the compet on n s sexual<br />
pi~Ti to men as the 1208 cig had been in seeking women in '20s+'+#*#180<br />
degree turn ., .//THE TATOO COMES NEXT after serious consideration by t3-ie ~<br />
acct group to showing M .M . with h s finger broken & in a splint . . . idea ~<br />
was to distinguish M,Ms from other he-men illustrations + not yr usual v<br />
leggy pin-ups or "Mother" but m ressionistic likenesses s of miiitar~ ~<br />
, suggesting these are I vets=the s=the older m e smo e & those ~<br />
who might look up to him//ADV COPYs brief . strai~ht f_o_rward, mascu~3,ae. ~<br />
& PURE VERNACULAR & distinct commercial cast ~ e copy, e> ., m 2 . . . ~<br />
First print depicted cowboy, the second a guy in tuxedo w~tatoo//the ~ .,<br />
legend surrounding that first cowboy ad, b42 ff ., group sitting around<br />
Burnett•s office & trying to dredge up most universally accepted symbol<br />
of masculinity in America . . .Weissman's memory of last ads produced by<br />
http://legacy.library.ucsf.edu/tid/fmw44c00/pdf