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CHAPTER<br />

IV<br />

Initiations<br />

1. The Life and Death of Alberto Olaya<br />

The ill-fated Alberto Olaya emerges in Paradiso as a restless spirit<br />

on the verge of adolescence, the second son of DoTfa Augusta and Don Andrds.<br />

one of five children, he is shown to be the innovator of family jokes,<br />

since it is he who notices with amusement the frasecita ritually exchan-<br />

ged between the Jacksonville pastor and his organist. Thus "Do you<br />

want to play the organ, Mr. Squabs? " (1,60) becomes a family estribillo<br />

which is aired on any occasion in danger of becoming too solemn. Alberto<br />

seems to have inherited Dofýa Augusta's skill in employing appropriate<br />

aphorisms and word play at crucial moments. The great matriarch's apho-<br />

risms are reknowned in the family circle:<br />

Pero donde su reposada sabiduria paremiol6gica alcanzaba<br />

celeste sin zureo de mosca, era en el refr9n que volcaba<br />

sobre unos vecinitos de la esquina. Alli estaba como<br />

recogida de la casa una flacucha de doce afros, aunque su<br />

sonrisa entreabria rio creciente y matinal y su mirada<br />

atrala y rimaba. Cualquier familia la endilgaba malas<br />

notas,, pereza, gracias fofas, cuentos torpes. Dofia<br />

Augusta afirmaba milenaria, llorosa casi: "La caca del<br />

hudrfano hiede n-As" (1,194).<br />

Alberto's word play comes in lighter vein:<br />

Cemi habia oido contar que Alberto tenia un amigo coleccionista.,<br />

cuyo padre era un ricach6n con un ingenio de<br />

azdcar. A su pasi6n por los platos de cerdmical, unia<br />

la constante alusi6n a los opulentes ramajes de su hergl-<br />

dica. ý En cuil de sus platos,, Sefforia,, le preguntd<br />

Alberto, saborea su sirope en campo de azur (1,241).

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