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352<br />

refinado su t4cnica de medici6n temporal" (13,630) as if she is no longer<br />

needed; we know that Alberto's and DoTia Augusta's deaths are intimately<br />

connected3, but that of Oppiano Licario is by no means final. The older<br />

Cemi (Oppiano Licario) is saved by creative childhood memories which lead<br />

to the completion of a great work, in this case Paradiso,. Life comes from<br />

death once again. The inspiration, the childhood sense of lejania (tao)<br />

is rediscovered when the final meeting takes place. The spirit of Oppiano<br />

Licario is resurrected in. Oppiano Licario (published in 1977 and beyond the<br />

scope of the present study). The deaths of poet and Muse do not signify<br />

that of poetry itself, which is to find its new champion in Cemi who comes<br />

to life at the moment when Lezama begins his novel. Like the man who rea-<br />

lizes later in life that the experience of waiting for inspiration has re-<br />

created it for him, Oppiano Licario begins to return to childhood before<br />

death: "el exquisito animal para lo temporal habia regresado al virtuosismo<br />

infantil<br />

...<br />

" (13,630), recalling games which "le presagiaba desde temprano<br />

las sublimaciones de El fcaro";<br />

these memories seem to swallow him up: "Se<br />

sentila por esos difas como unos apresuramientos de la sangre y en la mente<br />

un anublamiento<br />

de instantes<br />

...<br />

to (1,631). Time appears to be conquering<br />

him and in his dream of Icarus in the waves he is seen by the fisherman as<br />

one of those undesirable "monstruos de tierra" (1,, 632)., a sign of his fall<br />

back to Earth and death.<br />

Oppiano Licario's last words, "Davum, davum esse2 non Oedipum"(I, 632),<br />

have caused much controversy. Lezama attributes them originally to Descar-<br />

tes, which Fazzolari accepts, interpreting Dav-um as the name of a slave and<br />

deciding<br />

that:<br />

Hay pues, una declaraci6n y un rechazo. La declaraci6n<br />

es: el hombre es un esclavo en la tierra C ...<br />

1 el rechazo<br />

puede que sea ... un adi6s a la materia, ya que Edipo<br />

es el hombre casado con su madre, esto es, con la materia.<br />

Con estas palabras Oppiano Licario nos quiere decir: somos<br />

esclavos de la materia; al morir nos liberamos y podemos<br />

llegar a la visi6n de la gloria y al conocimiento infinito.<br />

35

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