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376 Villa 2 Alvaro de and Jos6 Sdnchez-Boudy. Lezama Lima: peregrino inm6vil ("Paradiso" al desnudo). Un estudio critico de "Paradiso. " Miami: Universal, 1974. Zaldivar,, Gladys. Novelfstica cubana-de los a5os 60: "Paradiso" y El 1n mundo alucinante. Miami: Universal, 1977. Critical Anthologies Bravo, Armando, Jklvarez ed. [Introductory essay (rpt. Selection and notes by A. 6rbita de Lezama Lima. Havana: UNEAC, in his Lezama Lima: los grandes todos) , klvarez Bravo 3. 1966. ----------- Lezama Lima: los grandes todos. Montevideo: Arca,, 1968. [Introductory essay, including "Suma de conversacioness" selection and notes by A., &lvarez Bravo] . Cardin,, Alberto, ed. "Homenaje a Lezama. " In his DivAn 2/3. Zaragoza: Alcrudo, 1978. Includes: "Lezania Lima: al mundo de la imagen, " by Joaquin Santana, pp. 20-36; "El antig6ngora, " by Federico Jimdnez Losantos, pp. 41-56; "Celebraci6n de interior con la figura yacente, " by J. Rubios pp. 57-61; "Acato y recato del ensayo soberano. " by Alberto Cardin,, pp. 62-72; "En tornoa Oppiano Licario, " by Luisa Jord&3, pp. 73-80; "En Zama la Mg.. La meva pica amb un bell seductor, " by Biel Mesquida, pp. 81-102. " "Focus on Paradiso. " Review. No. 12 (Fall 1974), pp. 5-51. Dedicated in parý--to J. L. L. under the above title Includes: "Paradiso, " p. 5; "Confluences,, " by Jos6 Lezama Lima, pp. 6-16. EEssay3 "Entering Paradise, " by Mercedes CortAzar, pp. 17-19; "An Approach to Lezama Lima, " by Julio Cort-lzar, pp. 20-25; "Attempting the'lmpossible,, " by Mario Vargas Llosa,, pp. 26-29; "The Text in its Context,, " by Emir Rodriguez Monegal, pp. 30-34; "Language as Hero, " by Julio Ortega, pp. 35-42; "A Cuban Proust., " by Severo Sarduy, pp. 43-45; "A Sentimental Realism, " by J. M. Alonso, pp. 46-47; "An Expanding Imagination,, " by Andr6e Conrad, pp. 48-51. Goytisolo, Jos6 Agustin, ed. Posible imagen de Jos6 Lezama Lima. . Barcelona: Llibres de Sinera, 1969. E: Selection and prologue by Jose A. Goytisolo: 3. Interrogando a Lezama Lima Edition by C. I. L., Casa de las Am6ricas. Barcelona: Anagramal '. 1971. Collected in Recopilaci6n. (see Sim6n, P. ). C Comprises selections from interviews by Ciro Bianchi, Tomds Eloy Martinezt Eugenia Neves, Jean Michel Fossey, Elsa Claro, Margarita Garcia Flores and Juan Miguel de Moral with a final question from the C. I. L.: ) Recopilaci6n = Recopilaci6n de textos sobre Jos4 Lezama Lima (Serie valoraci6n mfiltiple). Edition and notes by Pedro Sim6n. Havana: Casa de las Am6ricas, 1970. (See Sim6n, P. ) .
377 Sim6n, Pedro,, ed. Recopilaci6n de textos sobre Jos6 Lezama Lima (Serie valoraci6n mýiltiple). Havana: Casa de Las Amdricas, 1970. Includes: "Nota" by Pedro Sim6n (ed. ), pp. 9-10; "Interrogando a Lezama Limaj, " pp. *11-41. Selected fragments of interviews by Ciro Bianchi, TomAs Eloy Martinez, Eugenia Nevesi Jean Michel Fossey, Elsa Claro, Margarita Garcia Flores and Juan Miguel de Mora, with a final question from the C. I. L. ; "6rbita de Lezama Lima,, " by A. Alvarez Bravo., pp. 42-67; "La poesia de Jos4 Lezama Lima y el intento de una teleologia insular" by Cintio Vitier, pp. 68-89; "La poesia de Josd Lezama Lima, " by Roberto FernAndez Retamar3, pp. 90-99; "Las puertas del cielo" by "A. C. 2" pp. 100-102; " Muerte de Narci-so,, rauda cetreria de metAforas" by Angel Gaztelu3, pp. 103-106; "Por Dador" by Fina Garcia Marruz., pp. 107-126; "La fidelidad a los origenes" by Juan Garcia Ponce, pp. 127-129; "La expresi6n americana" by Oscar Collazos, pp. 130-7; "Un libro maravilloso" by Cintio Vitier,, pp. 138-145; "Para llegar a Leza * ma Lima" by Julio CortAzar, pp. 146-168; "Paradiso: unasumma podtica, una tentativa imposible" by Mario Vargas Llosa, pp. 169-174; "Notas sobre Paradiso" by Julio Ram6n Ribeyro, pp. 175-181; "Sobre Paradiso" by C6-sar L6pez., pp. 182-190; "Aproximaciones a Paradiso" by Julio Ortega., pp. 191-218; "Josd Lezama Lima, el ingenuo culpable" by Reynaldo GonzAlez, pp. 219-249; "Introduccift a Paradiso de Lezama Lima" by Juan Carlos Ghiano, pp. 250-266; "Solamente para subdesarrollados" by Cristina. Peri Rossi, pp. 267-276; "Testimonios" by Fina Garcia Marruz, Eliseo Diego, Octavio Smith, Virgilio Pifiera, Oscar Hurtado, Cleva Solis, pp. 278-307; "Cartas" from: Vicente Aleixandre, Luis Cernuda, Julio Cortdzar, R. FernAndez Retamar2 Octavio Paz, pp. 308-316; "Otras opiniones, " pp. 317-329. C Alejo Carpentier, Ambrosio Fornet, Rafil Roa3, Jos6Ard6-v6I3, Antonio Quevedo, Guy P6rez Cisneros, Alberto Riera, Virgilio Pifýera,, Maria Zambrano, Max Henriquez Urena, Fernando Charry Lara, Samuel Feij6o, Lol6 de la Torriente, Angel Gaztelu, Medardo Vitier, Josd Maria Valverdeq Marcelo Arroita-Jauregui, Josd Garcia Nieto,, Angel Augier,, Emir Rodriguez Monegal, Luis Cardoza y Arag6n, Josd Rodriguez Feo, Francisco Urondo, Hugo Achdgar: l "Bibliografla" by Pedro Sim6n,, pp. 345-375. Textos - Josd Lezama Lima: textos crIticos. Ed. Justo C. Ulloa. Miami: Universal, 1979. (See Ulloa, - Justo C. ) . Ulloa, Justo C., ed. Jos6 Lezama Lima: textos criticos. Miami: Uni- versal, 1979. Includes: Preface by Justo c. Ulloa, pp. 9-10; "Mi hermano" by Eloisa Lezama Lima., pp. 11-17; "Fabulilla de Ddnae" by Josd Lezama Lima, F-PoemD . p. 18; "El pabell6n del vacio" by Josd Lezama Lima, CPoem3 . p. 19; "Lezama o las equiprobabilidades del olvido" by Emilio Bejel, pp. 22-37; "Ordenamiento secreto de la podtica de Lezama, ' by Leonor Ilvarez de Ulloa, pp. 38-65; 'I La expresi6n americana: una teoria. de la cultura" by Julio Ortega,, pp. 66-74;
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04.=.0?2= .91 >A8/;7 59 6;>^ 72B.8.
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igh t _Cýr I allow unlimited acces
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To Peter, the best friend of all.
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i Table of CQntents Table of Conten
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iii Abbreviated Titles - Books "Ani
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INTR0DUCT10N Despite Lezama's insis
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3 remarks in interviews often revea
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5 meaning to some of Lezama's poetr
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7 in frenzied sexual activity and s
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9 who inculcate in Cemi a great res
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Notes I "Interrogando a Lezama Lima
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ChapterI Jos4 Cemi's Lineage 1. Jos
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15 These terms are employed by Leza
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17 by her marriage to Jos(ý Eugeni
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19 JosO Maria Lezama shares with Jo
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21 happy state of affairs, a verita
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23 Having established the latter id
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25 natural beauty recalls a lost Ed
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27 a practical example of Lezama's
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29 accidente entre nosotros., y eso
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31 cultivating these palms has also
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33 qualities of both grandparents a
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35 first glimpse of her delighfully
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37 wishes to lift them out of their
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39 chooses to climb upon, in her so
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41 possesses both extreme old age a
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43 La obtenci6n de esa luz blanca n
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45 expressed at the beginning of Le
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47 conciencia de que es vigilado, s
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49 counterpoint to the apparent tri
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51 19 "Paradiso y el sistema, " p.
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53 reaching up intall her youthful
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55 the reader ,, particularly in us
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57 when he claims that "Michelena e
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59 In "Introduccift a los vasos 6rf
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61 Phrases such as "la mujer que lo
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63 Lezama thus juxtaposes the conce
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65 The woman/manatee continues her
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67 creative power, there may be a c
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69 themselves from historical Time.
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71 example of the "recurrencias den
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73 los simbolos" (1,73). Mendil and
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75 Grace in Christian terms (betwee
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77 the Olayas. The death of Andresi
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79 In other words, Lezama wants the
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81 to be portents of the union of t
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83 whole being is convulsed in an i
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85 Nothing has been concealed from
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87 Josg Eugenio Cemr era un punto d
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89 friends ("la proliferaci6n de lo
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91 criolla": "La espuma del tu6tano
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93 del rayo solar ordenaba sus tran
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95 We see him in his prime, as a su
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Notes I "Interrogando a Lezama Lima
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CHAPTER III The Childhood of Josd C
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101 The poet thus has the duties of
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103 Cemi's own work. However we can
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105 wish to flee, as from something
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107 Zoar's body appears to become l
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109 story of Creation in the. Popul
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III years old, as in the first chap
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113 asustado ahora por su susto" (1
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115 fish leads him to the safety of
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117 trauma with what appears to be
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119 correct some sort of original m
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121 de hojas gigantescas, de visibl
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123 Jos4 Eugenio and Rialta's new r
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125 by them to achieve this end, in
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127 been made. Related so closely t
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129 The Colonel's success in routin
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131 appearing in the dream; he righ
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133 andibamos por ese camino/ y aho
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135 three years), we appreciate tha
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137 There is no doubt that women ha
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139 precious jewel set in a secret
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141 emptiness and the void left in
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143 The children's game of yaquis t
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145 Their first moment of parting s
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147 by attempting the impossible. C
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149 In the developing consciousness
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Notes I A., klvarez Bravo, ed., "Su
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153 43 Ibid., p. 193. 44 "Interroga
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155 Even in this simple way Alberto
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157 his other appearances in the th
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159 Before developing Alberto's rel
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161 arcoiris, " "ariete rizado") li
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163 that he has done this by adopti
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165 of the quest is established: "u
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167 la mentira" and "la cascada min
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169 in Jos6 Eugenio's eyes. The lat
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171 of (almost artistic) controlq A
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173 us of a Fibo-like demonismo, as
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175 until the link with Jos4 Eugeni
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177 his mother's memory into a poet
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179 underline their nobility of min
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181 ship to form a new balance and
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183 This could refer to Alberto's t
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185 11 world of the image,, of leja
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187 eras imaginarias: la biblioteca
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189 to roost in the antlers (stone
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191 precipitates his own death, pre
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193 spiritual experiences are expre
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195 ("Descends dans le cratýre de
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197 a trap of his own making by "po
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199 The key to an understanding of
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201 Lezama insists that Farraluque
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203 one of natural sleep: "fingia s
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205 rite is established by the phra
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207 encendida para un Anima muy pec
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209 potions, they succumb to extinc
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Notes I A. ýklvarez Bravo, ed., "S
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213 43 J. Ortega, "Paradiso de Leza
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215 with Cemi's evolving psyche and
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217 goes to his death in despair, r
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219 of the meeting of Cemi and Fron
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221 ness , whether in relation to O
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223 voyant par un long, immense et
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225 reIr de las saltantes burlas de
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227 Utilizaba su superioridad intel
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229 murder of Foci6n by the youth o
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231 In Foci6n's case, active self-c
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233 conception occurs at the moment
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235 experienced in their tenderness
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237 many of the images connected th
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239 This happy estate is therefore
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241 that he must reject this life-s
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243 former glory, they are fit for
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245 must descend to and return from
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247 Por primera vez Cemi, en su ado
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249 posibilidad hist6rica de lo cub
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251 also be played out in the lives
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253 his fellow students, that is, t
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255 oculta" (1,361). Lezama seems t
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257 - Es como si ambos - replic6 Fr
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259 balance between logic and intui
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261 that "To the hero, the clutchin
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263 Fronesis' ancestry is explained
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265 plants; 1,174-6). Even though t
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267 been accentuated by the girl's
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269 Necesitaba de una oscuridad que
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271 The god/man who appears next on
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273 como las estrellas" (1,419). 61
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275 friend has not apparently succu
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277 just like the child who loses t
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279 Despite their euphoria, there i
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281 III. Cemf: Self Discovery esos
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283 con ellos a conversar" (1,332).
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285 Chaos to approach Order has bee
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287 sombra que une el cielo silenci
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289 b6squeda de la gota de oro, del
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291 impotentes visceras" (1,452). I
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293 the Parmenides, the mystic rela
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295 of Revelation. Although there m
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297 configurations; he becomes "el
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299 en la piel ... " (1,501). Cemi
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Notes 1 A. Vald6s, "Paradiso de Lez
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303 51 A. L. Rowse,, Homosexuals in
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305 alegorizar el tema del tiempo e
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307 to his father's death leads ult
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309 pictures on the vase seems to i
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311 to meditate upon his childhood
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313 difficult to interpret. He make
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315 las fresas, parecia que pintaba
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317 piedra en piedra. Una inmensa e
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31? Why might Lezama have chosen a
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321 masters his own past. Lezama's
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Notes 1 J. CortAzar, "Para Ilegar a
Page 335 and 336: 325 adolescent dilemmas are importa
Page 337 and 338: 327 gence; instead these transforme
Page 339 and 340: 329 A la derecha del tim6n, un circ
Page 341 and 342: 331 Origenes.... " 8 The victims of
Page 343 and 344: 333 descriptive paragraphs, one whi
Page 345 and 346: 335 whelm Vivo with her power and a
Page 347 and 348: 1 337 es en la poesia de Baudelaire
Page 349 and 350: 339 identity comes to him although
Page 351 and 352: 341 el timbre" (1,589). All is now
Page 353 and 354: 343 tibetana" is synonymous with "l
Page 355 and 356: 345 Partia de la cartesiana progres
Page 357 and 358: 347 Licario and Death,, Foci6n's en
Page 359 and 360: 349 reflected through his mind in s
Page 361 and 362: 351 ni ser su amigo, las dos fuerza
Page 363 and 364: 353 Santi attributes the phrase to
Page 365 and 366: 355 represent "la naturaleza perdid
Page 367 and 368: 357 bufones, rendidos al sueTio, do
Page 369 and 370: 359 In alchemy, from which the term
Page 371 and 372: 361 (IIj 899). This applies to the
Page 373 and 374: Notes 1 E. Rodriguez Monegal, "Para
Page 375 and 376: 365 that "his Dantean ascent not wi
Page 377 and 378: 367 the need to seek answers is awa
Page 379 and 380: ON > 94 1-4 14 1-4 >4 0 0 C) N 0w r
Page 381 and 382: 371 e- til r W --j N3 C) . In 0 a (
Page 383 and 384: 373 Tratados en La Habana, pp. 393-
Page 385: 375 Bibliographies Becco, Horacio J
Page 389 and 390: 379 Bernaldez Bernaldez, Jos4 Maria
Page 391 and 392: 381 ---------- 0 "Vida de Lezama. "
Page 393 and 394: 383 "Otras opiniones. " In Recopila
Page 395 and 396: 385 Vald6s, Adriana. "Paradiso de L
Page 397 and 398: 387 Christian, John. Symbolists and
Page 399 and 400: 389 Koestler, Arthur. The Roots of
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