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259<br />

balance between logic and intuition with which he is able to single out and<br />

tackle his own weaknesses. He seems to be tuned in to an "inner voice"<br />

from which his wisdom is derived and Neumann tells us that this is not an<br />

unusual phenomenon in relation to the hero: it is "the command of the trans-<br />

personal father or father archetype who wants the world to change.... "<br />

43<br />

The parental archetypes in Foci6n's family did not act as his guide but<br />

Fronesis' birth and dual parentage follows a now traditional pattern:<br />

With the progressive individualization of humanity and<br />

its emergence from the inchoate state of participation<br />

mystique the ego of each man takes on clearer definition;<br />

but in the process, the individual becomes the hero and<br />

has in his turn to exemplify the myth of the dragon fight.<br />

the<br />

...<br />

mythological fate of the hero portrays the archetypal<br />

fate of the ego and of all conscious development.<br />

It serves as a model for the subsequent development of the<br />

collective, and its stag H are recapitulated in the development<br />

of every child.<br />

The struggle of Fronesis or the hero to free himself from his archetypal<br />

pair can be seen according to Neumann, in the social and personal history<br />

of every man and woman. No wonder Lezamals character has such a fascination<br />

for the reader despite his unusual lack of"realistic" behaviour. "El era el<br />

elegido, " Lezama warns us, providing the reader with an outline of the kind<br />

of background that a hero ought to have: his father could be "un estoico,<br />

un cat6lico de los primeros tiempos, donde los misterios 6rficos pasaban al<br />

signo del cordero" while his mother, Cemi imagines, is "austriaca criolla,<br />

trasunto de la nobleza ancestral de la Europa oriental" (1,393-4). What-<br />

ever Fronesis' true parentage, he has nevertheless received a suitable an--<br />

cestry as a hero. Neumann states that "the hero is the child of aristocra-<br />

tic parents.... "<br />

45<br />

The text reveals clearly that Fronesis has had two mothers, one purely<br />

spiritual and the other biological. Not only has Maria Teresa agreed to<br />

marry her sister's lover and raise their love child as her own, she seems<br />

also to have foregone the physical aspects of motherhood entirely, since

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