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228<br />

on unscrupulous older men,<br />

thus introducing him to another type of causality<br />

removed from purely bodily<br />

needs. The solidity or permanence of the owner<br />

of the Chinese artifact is<br />

highlighted in the phrase: "El agua al bru5ir el<br />

mech6n frontal, le dio una<br />

contextura de 6bano pulimentadc, como m6rmol" (I,<br />

389), but unfortunately fo<br />

r the youth he does nor recognize the chance of<br />

freedom from his old life.<br />

He has rejected much, according to his would-<br />

be saviour:<br />

Pensar que yo le iba a propiciar que asomase su rostro<br />

a un espejo de metal, estilo de los dltimos ptolomeos.<br />

Y que le iba a regalar todos los cepillos chinos; pero<br />

es un ni5o diablo, y ahora, sentado en el quicio de una<br />

esquina, debe de estar dgndole vueltas al poliedro (1,389).<br />

The metal mirror would have shown him the image of his soul, which is at pre-<br />

sent lost in his body. The Egyptians are mentioned because as we have seen<br />

when examining Alberto's first encounter with Oppiano Licario, Lezama consi-<br />

ders them to be the first civilization to evolve a method of securing eter-<br />

nal life. The object used to symbolize the gift of eternal life is not<br />

important, except for the fact that it is Chinese and made of a substance<br />

well suited by its natural qualities to signify permanence. We know that<br />

Lezama regards the Chinese with great respect because of their Taoist philo-<br />

sophy which extolls the powers of creativity out of the void. These are<br />

the benefits which the youth has unwittingly rejected. He disappears from<br />

the narrative while Foci6n relates Fronesis' family history but is connected<br />

most intimately with Foci6n in his second appearance,<br />

In a way the youth is a younger version of Foci6n but he is far from<br />

being the equal of the latter's sophisticated cynicism. Instead he is an-<br />

gry and bitter at his repeated exploitation and is filled with self-hatred,<br />

enough to drive him to attempt to murder Foci6n. His failure to do so<br />

(thanks to his victim's cunning) is inevitable, having been played out in,<br />

and prefigured by, the episode with the owner of the Chinese ivory. The

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