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241<br />

that he must reject this life-style as out of the question. He does so<br />

gently, in one of the finest speeches in the novel. Lezama's first publi-<br />

shed poem was entitled "Muerte de Narciso" (I, 652-8)f - Cemi's speech he-<br />

ralds that death of Foci6n in his psyche. Within the context of the plot,<br />

it is only Fronesis' absence which makes this direct address by Cemi possi-<br />

ble; on the level of the allegory, the wise man and the poet have become<br />

one in order to deal effectively with the threat from Foci6n. It seems<br />

from the positioning of the speech that Cemi has been in command of the<br />

situation from the first moment of meeting and is forearmed against his<br />

wiles. He commences by drawing the distinction between ser and estar, or<br />

"el ser esencial o el ser sustancial" (1,370), insisting that "hay una<br />

categoria superior al sexo, que recuerda los mitos androginales o al que<br />

se proyecta sobre los misterios complementarios" (1.370). So much has<br />

Foci6n admitted, with less emphasis on eternal life, but this is Cemi's<br />

chief concern and his starting point. The poet allows that there has been<br />

a mistake in our sexual conduct, not in the relationship with women as<br />

Foci6n suggested, but in the willingness of some to yield to the fall with-<br />

in the Fall which is a trap for the unwary: "el hombre va a la mujer con<br />

concupiscencia, pero el hombre vuelve al hombre por falsa inocencia<br />

...<br />

11<br />

(1,372). Foci6nIs argument is turned inside out and further squashed by<br />

careful selection of some short passages from St. Augustine and St. Thomas<br />

Aquinas, both of whom see the return of man to man as the chief symptom of<br />

"un amor desordenado de la muerte, un apetito fruitivo que excluye la par-<br />

ticipaci6n en el misterio de la Suprema Forma" (1,373). These words of<br />

St. Thomas seem to me to be an expression on another plane of the idea that<br />

the soul which is determined to remain introverted and enveloped in the<br />

maternal ouroboros instead of growing to maturity and dying to live again,<br />

is lost in a death of its own creation. St. Augustine may be referring<br />

to the same phenomenon when he says that "el alma se enferma cuando pierde

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