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270<br />

The son is burdened by the weight of his symbolic undershirt (out of which<br />

he cuts the circles) and the pressure imposed by the images of the three<br />

women which he reads in the waves. All three are part of the feminine and<br />

the Unconscious, as he now realizes, but he must continue his flight along<br />

the Malec(Sn until he offers the tangible evidence of his sexual experience<br />

to the waves: "Extrajo la camiseta y con disimulada impulsi6n la lanz(5 a la<br />

voracidad de las aguas" (1,417). As soon as he puts aside this symbol of<br />

his success and shame, he is able to see more clearly, from his position on<br />

the sea wall, which "servia de divisi6n entre la luz limitada de los faroles<br />

y la oscuridad sin lfMites de la marina" (1,417). The sea is identified<br />

even more closely with the Unconscious when it receives the offering; it<br />

becomes the serpent of the ouroboros, the negation of masculine and feminine,<br />

"la gran serpiente marina. " The circle of cloth, before being submerged,<br />

assumesthe same form: "La camiseta misma antes de anegarse, se fue circuli-<br />

zando como una serpiente a la que a1guien ha trasmitido la inmortalidad<br />

(1,417). The two are part of the same entity, but the immortality awarded<br />

by the ouroboros is illusory, as we have seen in the case of Foci6n. Its<br />

disappearance coincides with the advent of "la serpiente f6lica" (1,417),<br />

the power of procreation in mortal man:<br />

era necesario crear al perder precisamente la inmortalidad.<br />

Asi el hombre fue mortal pero creador y la<br />

serpiente fglica se convirtid en un fragmento que debe<br />

resurgir. Fronesis sentia que los dos cfrculos de la<br />

camiseta al desaparecer en el oleaje, desaparecerfan<br />

tambign de sus terrores para dar paso a la serpiente<br />

circuncidada. (1,417).<br />

" La serpiente circuncidada " is an important choice of phrase because<br />

.<br />

circumcision is used by many races as a rite of passage. It is clear that<br />

Fronpsis regards himself as a victor, and insofar as the feminine aspect of<br />

his trial is concerned, this is true. Yet the problematic imagery conti-<br />

nues even after he has come to terms with the unconscious half of his mind.

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