Text - Rhodes University
Text - Rhodes University
Text - Rhodes University
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Both artists make use of a great variety of frames, the structure of a classic action contic.<br />
Even in subdued sequences, focus on details and gestures drive the story more than pure<br />
narrative could [fig 14]. With this contic, Botes learns to use pictures to tell his story; the<br />
text and the artwork are completely interdependant. There is a sense of relief, when<br />
comparing this contic to the earlier one, a feeling that the story has its own rhythm. ~<br />
No. 308 perhaps benefitted from the nervous structure imposed by a superfluity of both<br />
text and drawing; a humourous story is far better executed in this more confident, flowing<br />
manner.<br />
Figure 14 Botes In die Arms van 'n Apokalips pIS<br />
Soundeffects are more pervasive and less decorative. As the story, the contic behind the<br />
contic, becomes more real, the soundeffects must be 'heard' more than seen. Botes still<br />
uses the decorative elements of the first issue, but these are now subtler and infrequent.<br />
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