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Speech bubbles and text boxes are not as awkwardly placed and lettered as they usually<br />

are in amateur comics. Motion lines, however, are overly decorative, inhibiting their<br />

function [fig 12]. In all, this strip is remarkable only in its accurate duplication of a<br />

commercial comic.<br />

Out of my Mind's Eye, by Donn Ingle, features the lead singer of a band as a guardian<br />

angel come to help a boy defend himself against bullies. It is a fantasy of revenge, and<br />

this time the extremes of violence serve a purpose, creating an escapist world of<br />

superheroes with superpowers who are able to exact this revenge. The depiction of<br />

violence has a kind of black humour to it, because it is an indication of the extent of the<br />

small child's victory over his persecutors.<br />

Inserting a superhero dynamic into a realistic situation, and transforming a reallife hero,<br />

the singer, into a superhero, explains and tempers the borrowings from commercial<br />

comics. Such copying often takes itself very seriously, becoming the most significant<br />

aspect of the comic and leaving little space for any personal expression, or even a sense<br />

of humour.<br />

Figure 13 Ingle Out of my Mind's Eye p2<br />

89

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