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Verdwaalde Harte [fig 23J, also by Bates, is a visual list of characters, each frame a<br />

portrait of a person caught in some descriptive action. 'Every frame is captioned with a<br />

single sentence, some descriptive of the contents, while others are more generalised<br />

comments. All the frames are apparently unrelated to each other; but the creation of this<br />

list in a comic format makes them interdependant. Simply because of their collection as<br />

a comic, the frames generate a meaning between them, that is different from their<br />

individual meanings. Each one's meaning is further modified by its place in the list, its<br />

sequential position.<br />

Dog and Dirk Winterbach's Rewerie is similar to Verdwaalde Harte, in that it consists<br />

of a series of apparently unconnected frames, like thoughts passing randomly through<br />

someone's mind. Lack of writing makes the pictures more ambiguous, but also<br />

strengthens the connections between them, because meaning must be deduced from their<br />

interrelationship, not from their relation to a text. Each frame is a statement in itself; but<br />

its meaning is limited by its position in the series [fig 24J. The information contained<br />

within a frame is subordinate to its position. An overtly photographic quality in the<br />

drawings reduces them to the level of cliched recieved images [fig 25J. They become signs<br />

or symbols rather than illustrations.<br />

Figure 24 Dog, Winterbach Rewerie p2 (reduced)<br />

120

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