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The preference for illustration and styling disappears as he finds that standard comic<br />

tools can be used effectively to explain things that before he had sought to find new<br />

vocabularies for. Strangeness is contained coherently within a story and stream-ofconciousness<br />

is not used merely for its own sake. Idiosyncracies that convey mood are<br />

kept relevant to the story. At first the artists played with various possibilities; now they<br />

refine and limit themselves to more concise and efficient communication.<br />

Figure 15 Botes A Perfect Little Consumer p5 (reduced)<br />

A Perfect Little Consumer by Botes satirizes advertising. This kind of theme is most<br />

suited to Bitterkomix's work, which is analytical and de constructive in essence and intent.<br />

The message is not explicitly stated, but carried through the development of the story.<br />

The discrepancy between the caption and the picture is slight, but in the context of the<br />

story it explains their fanatical use and enjoyment of this device elsewhere. Figure 15<br />

from this comic explores this tool more visually, using David's portrait of the French<br />

revolutionary Marat. Appropriating the portrait of a heroic martyr turns the main<br />

109

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