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Text - Rhodes University

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In Die Hero van die Bitch [fig 29], Dog has taken an advertising comic and altered the<br />

text. This is a classic satirical technique, widely used in underground comics. The original<br />

strip frequently appears in mainstream American comics, and is therefore immediately<br />

associated with trashy comics, to the extent that it is virtually shorthand for these comics.<br />

Dog reduces the plot, such as it is, to nonsense, which is in itself a comment on<br />

mainstream comics, ridiculing them by association. The altered text is completely selfreferential.<br />

In the fourth frame, a character comments on his own seemingly implausible<br />

actions, making them even more ludicrous. Die Hero van die Bitch is a bad comic made<br />

interesting, exploring just how bad a comic can be by examining what comics are.<br />

Subversion of a very familiar text forces the reader to notice the structure of the comic,<br />

rather than to believe in its reality. It is a joke within a joke, and a joke about a joke too.<br />

With the subtitle of Alcohol [fig 30], Dog states explicitly how this comic is constructed,<br />

and why it is constructed in this way. It is a visual poem, which is not the same as an<br />

illustrated poem. The difference, however, does lie in the illustrations: the comic starts<br />

with text which is ostensibly illustrated, and then loses the text and turns into pure<br />

illustration. The first three frames could be construed as representations of reality, but<br />

the last two are collages, constructed from a combination of photograph and drawing.<br />

Each is composed of various disparate elements thrown together, and such meaning as<br />

they have is generated by their context and especially their juxtaposition.<br />

Unlike Dog's other non-narrative comics, this one is not merely a visual list. The frames<br />

are clearly sequential, with each one containing elements from the preceding one.<br />

Dog also includes instructions to read the comic to background music, in other words, to<br />

a soundtrack. This kind of note is common in comics like Love and Rockets and Tankgirl,<br />

where the 'soundtrack' is often listed after the drawing and writing credits. It<br />

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