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In Klapmuts Polisie Slaan Toe, Botes tries his hand at Dog's more literary approach,<br />

turning a newsreport into a visual essay [fig 35]. He draws on many sources to convey his<br />

messsage, including Surrealism, adapting a de Chirico painting [fig 36] for one of the<br />

frames.<br />

We are forced to read between the lines of newsprint and accept them as a mad rant, as<br />

Botes turns this dry account into a metaphor for a surreal world loaded with sex and<br />

death and perversion and absurd fragments of humour [fig 37].<br />

Die twee sk:lpc is<br />

Figure 37 Botes Klapmuts Polisie Slaan Toe p4 (reduced)<br />

Klapmuts takes to an extreme conceits used in other stories. By exaggeration and<br />

extrapolation, Botes exposes the lack of sense of this rational report of an irrational<br />

world. In other comics, literary fragments and visual references add texture and depth to<br />

a plot; here they are the sole means of communication. An elliptical page layout and a<br />

dizzying combination of elements create an atmosphere of confusion and disorientation,<br />

more emotional, violent, and bitter than the similar disorientaion Dog describes in A Boy<br />

Called Julia.<br />

132

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