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Figure 53 Dog Jeugweerbaarheid pl (reduced)<br />

This is the third Max Plant adventure; he serves the same function as the narrator in A<br />

Boy Called Julia, but that narrator was a self-portrait. Plant is a portrait. The comics are<br />

ostensibly accounts of his experiences, rather than those of the artist. He is a real person<br />

(in the comic sense) with consistent and particular attributes.<br />

In this comic Dog is concerned with more than the mechanics of comics. Although he still<br />

uses many references to and quotations from other sources to support his argument, these<br />

are subtly inserted into an account of reality, rather than a comic construction. The<br />

overall effect is that of conventional illustration.<br />

What Goes Around by Botes is pure scatalogical humour. The comic is a crude yet<br />

sophisticated critique of society. Botes uses the techniques of American underground<br />

comics of the 1960s, in which the deliberate crudity is part of the critique, being a refusal<br />

to engage with the object of derision on its terms.<br />

The narration is purely visual, with panoramic views and closeups and peeks through<br />

windows. The plot is constructed like a classic argument, with thesis, expansion, and<br />

closing statement similar to thesis but more comprehensive. This is partially achieved<br />

through layout, specifically by changes in frame size emphasizing particular moments. But<br />

the greater part of the structure is articulated through viewpoint. The story begins in<br />

147

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