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This same regularity forces pace to be determined by the contents of the frames.<br />

Emphasis is placed on the characters and action, rather ·than the layout. <strong>Text</strong> is minimal.<br />

In contrast to my other comics, this story is as concise as possible.<br />

Figure 32 Breytenbach Gone p2<br />

The drawings are mostly linear, comprised of solid flat blacks, whites, and grey tones,<br />

clarifying the action further. The characters are idealized and cartoonish, although not<br />

cartoon characters in the sense that Sorfa's are. The cartooning has developed for reasons<br />

of economy and efficiency, noting only the essentials of expression, and avoiding<br />

unnecessary details of physiognomy; the idealization means quicker, simpler drawing, and<br />

makes it easier to match characters' faces from frame to frame. All efforts are<br />

concentrated on depicting a narrative of events.<br />

The Faerie Files is written by George Georgiou and drawn by myself. The control evident<br />

in this comic is due largely to the script. The writer understands underemphasis for the<br />

sake of dramatic effect, and also the movement, the visual pace, of a comic. Despite a<br />

text that corresponds to each picture, instead of speech bubbles, this comic also manages<br />

to create it's own reality.<br />

68

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