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Die Besoek is a simple, direct, blatant, perhaps one-dimensional story, made compelling<br />

by its gloomy atmosphere and the main chara~ter's<br />

mysterious motivations. Apparently<br />

a simple personal story, rather than a manipulation of elements to express an idea, the<br />

central emotions are laid bare, and by a simplistic treatment examined as mysterious in<br />

themselves.<br />

The drawing style is beautifully suited to the nervous, neurotic, tortured, yet banal theme<br />

of the story. One constant motif is hands that are powerful but do not touch, that are<br />

stiff, suggesting a childish helplessness, in stark contrast to the sophistication of the other<br />

artists. Thoughts are depicted as pictures floating above the heads of the characters [fig<br />

18] so that pictorially the thoughts are as real as the people and the overwhelmingly<br />

subjective aspect of the whole encounter is emphasized.<br />

Figure 18 Van Zyl Die Besoek p3 113

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