The Body Language Project: Dating, Attraction and Sexual ... - Wuala
The Body Language Project: Dating, Attraction and Sexual ... - Wuala
The Body Language Project: Dating, Attraction and Sexual ... - Wuala
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
tightly pressed against the other making it appear<br />
extremely toned. A woman might also then place<br />
one h<strong>and</strong> on her thigh <strong>and</strong> present additional signals<br />
of attention <strong>and</strong> interest.<br />
PIGEON TOES<br />
<strong>The</strong>re are two prominent signals of attraction in this<br />
photograph. <strong>The</strong> most obvious is that Scarlett is crossing her<br />
legs higher than she normally would. Her right leg is crossed<br />
high over her knee with one leg firmly rested on the other. <strong>The</strong><br />
higher the leg cross, the more interest shown. <strong>The</strong> second is<br />
that she is performing a wrist display by resting her head on her<br />
h<strong>and</strong>. <strong>The</strong> look on her face leads one to believe that she is not<br />
simply doing this because she is bored.<br />
When a woman turns her toes inward it suggests<br />
interest. It is referred to as “tibial torsion”<br />
anatomically. It is a gesture that displays<br />
submissiveness <strong>and</strong> can show that a woman is<br />
smitten in your company. She is shrinking up her<br />
body <strong>and</strong> creating a less threatening profile. In<br />
contrast, there is the military posture, in which the<br />
toes turn outward <strong>and</strong> the h<strong>and</strong>s are held behind the<br />
back. If you see a woman in pigeon toes, you can<br />
be sure she is open to an advance. Just monitor<br />
what effects your approach has on her.<br />
THE POINTING KNEE<br />
Tucking one leg under the other when seated can be<br />
taken as a sign of interest. Specifically, the knee is<br />
bent to allow the foot to be tucked under the<br />
opposite thigh. <strong>The</strong> knee will then be aimed at the<br />
person the woman is interested in. It is an informal<br />
position signifying relaxation <strong>and</strong> comfort with the<br />
situation.<br />
Julie is showing a few signs of interest toward Mark in this<br />
situation. Her left leg is tucked under her thigh <strong>and</strong> she is<br />
sitting on it (the pointing knee). <strong>The</strong> conversation must be<br />
going well as this indicates her willingness to stay seated. She<br />
is also grooming herself by playing with her hair <strong>and</strong> is making<br />
strong eye contact. Mark’s posture is a mixture of open <strong>and</strong><br />
closed. He is leaning forward to engage Julie but his h<strong>and</strong>s are<br />
crossed over his body. This is an excellent way to keep a<br />
woman guessing <strong>and</strong> induce her to pursue the man instead of<br />
always the reverse.<br />
This photograph illustrates “tibial torsion.” It is a childish<br />
posture. Scarlett’s toes are pointed inward <strong>and</strong> it shows that she<br />
is meek <strong>and</strong> willing to submit to Dave. It is a way for her to<br />
appear smaller <strong>and</strong> less dominant by shrinking the amount of<br />
space her body takes up. She is also looking over a raised<br />
shoulder, to a degree, which is another signal of attraction.<br />
THE HEAD TILT<br />
THE LEG TWINE<br />
<strong>The</strong> leg twine is one of the most appealing sitting<br />
positions for women. It occurs when one leg is<br />
Women who are really attracted to you, will tilt their<br />
head forward <strong>and</strong> to the side (at about 45 degrees)<br />
when they speak with you. Any neck exposure is<br />
meant to display attraction. <strong>The</strong> neck is one of the<br />
most private areas of the body because it is so<br />
<strong>The</strong> <strong>Body</strong> <strong>Language</strong> <strong>Project</strong>: <strong>Dating</strong>, <strong>Attraction</strong> <strong>and</strong> <strong>Sexual</strong> <strong>Body</strong> <strong>Language</strong>. 1st Edition, 2008. www.<strong>Body</strong><strong>Language</strong><strong>Project</strong>.com Page 30