The Body Language Project: Dating, Attraction and Sexual ... - Wuala

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This is another method Mark has used to force Julie to chase him instead of always being the one to chase. His legs are crossed away from Julie and his left arm is blocking his body from her. His arms are also up and open showing that he is honest and engaging. Julie is moving toward him with her right hand extended forward and is smiling. She is enjoying Mark’s story and hence his company. Just as a dominant man can glide through a room, Mark is gliding through his motions. He is adjusting his sleeve but his motion is smooth and planned and he is showing that he is in control at all times. His movements aren’t erratic or unpredictable, they are deliberate. Even though Mark is doing something completely basic, Julie is giving him her undivided attention. Remember that the vast majority of what people say is non-verbal. The Body Language Project: Dating, Attraction and Sexual Body Language. 1st Edition, 2008. www.BodyLanguageProject.com Page 65
Julie is on display but is sending mixed signals. She has an erect posture showing interest but her left arm and leg are crossed away from Mark and she is looking away from him. It would seem as though she is either playing hard to get or is demonstrating that she has outclassed him and that he is not worthy of her attention. Mark is showing timidity by sitting on his hands and leaning away. He seems to only have the courage to admire her beauty. Dave is missing the big picture here. He should ask Scarlett to dance as she is obviously enjoying the music by dancing in her chair. Because she hasn’t gotten up on her own, she is most likely waiting for Dave to ask her. Women are generally not the aggressors in a relationship. They will give hints and hope to have the man take the lead. Go for it Dave. Ask her to dance! The Body Language Project: Dating, Attraction and Sexual Body Language. 1st Edition, 2008. www.BodyLanguageProject.com Page 66
Page 2 and 3:
SECTION 1 AN INTRODUCTION I’m exc
Page 4 and 5:
that I could read them but they did
Page 6 and 7:
Importance should also be put on th
Page 8 and 9:
Proximity as initiated by a woman i
Page 10 and 11:
SECTION 3 STRATEGIES TO ESTABLISH C
Page 12 and 13:
competitors in these situations, va
Page 14 and 15:
You might also create a situation w
Page 16 and 17: Julie is bumping against Mark to ma
Page 18 and 19: SECTION 4 SIGNALS OF FEMALE DISINTE
Page 20 and 21: PICTORIAL ON SHOWING DISINTEREST Bo
Page 22 and 23: Both Mark and Julie are showing tha
Page 24 and 25: Here Dave is in a losing battle wit
Page 26 and 27: Both Dave and Scarlett are showing
Page 28 and 29: could be unconsciously exaggerated
Page 30 and 31: Overall, any motion a woman makes t
Page 32 and 33: vulnerable. The head tilt can also
Page 34 and 35: GROOMING AND PREENING Any grooming
Page 36 and 37: your object of affection, then when
Page 38 and 39: CHILDLIKE PLAYFULNESS A woman may b
Page 40 and 41: naturally and instantly, we can gau
Page 42 and 43: Drinking in unison and in between t
Page 44 and 45: Julie is performing the neck displa
Page 46 and 47: Scarlett is for the most part displ
Page 48 and 49: Scarlett is showing positive intere
Page 50 and 51: SECTION 6 USING BODY LANGUAGE TO GA
Page 52 and 53: planned. Don’t run about, instead
Page 54 and 55: TONALITY At least 30 percent of wha
Page 56 and 57: EYEBALL ASSAULT Women are especiall
Page 58 and 59: By putting his hands in his belt, D
Page 60 and 61: uncommon to come off as creepy to a
Page 62 and 63: TEASING AND OPPOSITE BODY LANGUAGE
Page 64 and 65: forward against a bar or on a table
Page 68 and 69: Here Scarlet has moved directly in
Page 70 and 71: Mark has waited too long to speak t
Page 72 and 73: Mark is making his discomfort evide
Page 74 and 75: It’s a losing battle, Dave! Dave
Page 76 and 77: does so in a flirtatious way while
Page 78 and 79: REFERENCES Alexander, R.D. 1987. Th
Page 80 and 81: Hess, E. year. In Kleinke, chris l,
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