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FEATURE REVIEW<br />
Let's<br />
20th<br />
Make Love'<br />
Century-Fox<br />
By FRANK LEYENDECKER<br />
£|VERY PICTURE starring Marilyn Monroe<br />
spells boxofflce and this latest<br />
Jerry Wald production in which the delectable<br />
blond costars with the widely publicized<br />
French singing sensation, Yves<br />
Montand, has a tremendous "want-to-sec"<br />
potential which will make it one of the<br />
year's top grossers.<br />
The picture's many delays, including<br />
the actors' strike, all received newspaper<br />
and magazine attention even before the<br />
current Life Magazine cover and inside<br />
stoiT and numerous other publicity<br />
"breaks." With Britain's top singing idol,<br />
Frankie Vaughan. to attract the teenagers, Yves Montand and Marilyn Monroe<br />
and its sure-fire title, the picture can't in a scene from "Let's Make Love."<br />
miss. It's good entertainment, first, last<br />
and always.<br />
As in the blockbusting "Some<br />
is Like It a delectable and appealing figure<br />
Hot" of 1959, Marilyn is content to play throughout.<br />
second fiddle to the male star, this t<strong>im</strong>e in Vaughan. who is tall, dark and handsome,<br />
does well with several dramatic mo-<br />
a story which is built around a billionaire<br />
who wants to be loved for h<strong>im</strong>self alone. ments as a reformed alcoholic and star of<br />
Except for some slight difficulty with his the off-Broadway show and he sings "Incurably<br />
Romantic." "Hey You. With the<br />
English dialog, Montand is thoroughly engaging,<br />
he exudes chai-m for the ladies, Crazy Eyes" and the title song, all of these<br />
much in the manner of his compatriot, by Sammy Cahn and James Van Heusen.<br />
Maurice Chevalier, and he puts over the in applause-getting fashion. Wilfrid Hydetitle<br />
tune in highly romantic fashion White, the polished, di-yly humorous British<br />
comic, is a constant delight as the bil-<br />
Montand's three scenes with uncredited<br />
guest stars, Milton Berle. who attempts to lionaire's family lawyer and Tony Randall<br />
teach h<strong>im</strong> to be funny; Bing Crosby, who does well enough as a public relations<br />
tries to show h<strong>im</strong> how to croon, and Gene man. Of the others, David Burns has a few<br />
Kelly, who shows h<strong>im</strong> a few dance steps, amusing moments and Madge Kennedy,<br />
come as a complete surprise to the audience<br />
and are the picture's high spots.<br />
bit.<br />
star of the silent days, contributes a fine<br />
Miss Monroe is absent from all these Norman Ki-asna's original story has a<br />
scenes but she scores heavily in her first tried-and-true theme designed for a male<br />
appearance as the leading lady of an off- star but the author has expanded the<br />
Broadway show singing and dancing Cole chief female role to fit Miss Monroe; and<br />
Porter's "My Heart Belongs to Daddy." George Cukor, noted for his direction of<br />
which originally brought fame to Mary distaff stars, gets a fine performance out<br />
Martin in the 1940s. She also does nice'y of the great MM. Jack Cole's staging of<br />
in several songs with Frankie Vaughan an:^ the musical numbers is another plus value<br />
as is the fine CinemaScope-De Luxe Color<br />
photography by Daniel Papp.<br />
20th Century-Fox presents<br />
Yves Montand, a billionaire coming from<br />
Jerry Wold's production of<br />
a long line of millionaires, learns from his<br />
"LET'S MAKE LOVE"<br />
public relations man that he is being satirized<br />
in an off-Broadway revue. Montand.<br />
In Cinemascope ond De Luxe Color<br />
Running t<strong>im</strong>e: 1 1 8 minutes<br />
who has always evaded marriage because<br />
he is afraid the girl will want only his<br />
money, enters the tiny theatre and is entranced<br />
by Marilyn Monroe's singing of<br />
CREDITS<br />
Produced by Jerry Wold, Directed by George<br />
Cukor Written for the screen by Norman Krasno,<br />
odditionol moteriol by Hoi Kanter. Music, Lionel<br />
Newman, associote Earle H. Hagen. Words and<br />
rriusic by Sommy Cohn and Jomes Von Heusen<br />
My Heort Belongs to Daddy" by Cole Porter<br />
Musicol numbers staged by Jock Cole. Director<br />
of photogrophy, Doniel Fopp. A.S.C. L. Titles<br />
ond prologues designed by Gene Allen. Color<br />
coordinotor, Hoynmgen-Heune. Art direction<br />
Lyie R. Wheeler. Gene Allen Set decorations<br />
Wolter M. Scott, Fred M. McLean. Assistant<br />
director, David Hall. Costumes designed by<br />
Dorothy Jeokins. Film editor, Dovid Bretherton.<br />
THE CAST<br />
Amanda Marilyn Monroe<br />
Jeon-Morc Clement Yves Montond<br />
Howard Coffmon Tony Randall<br />
Tony Danton Frankie Voughon<br />
John Wales Wilfrid Hyde-White<br />
Oliver Burton Dovid Burns<br />
Dove Kerry<br />
Michoel David<br />
Miss Honson Modge Kennedy<br />
^