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FEATURE REVIEW<br />

Let's<br />

20th<br />

Make Love'<br />

Century-Fox<br />

By FRANK LEYENDECKER<br />

£|VERY PICTURE starring Marilyn Monroe<br />

spells boxofflce and this latest<br />

Jerry Wald production in which the delectable<br />

blond costars with the widely publicized<br />

French singing sensation, Yves<br />

Montand, has a tremendous "want-to-sec"<br />

potential which will make it one of the<br />

year's top grossers.<br />

The picture's many delays, including<br />

the actors' strike, all received newspaper<br />

and magazine attention even before the<br />

current Life Magazine cover and inside<br />

stoiT and numerous other publicity<br />

"breaks." With Britain's top singing idol,<br />

Frankie Vaughan. to attract the teenagers, Yves Montand and Marilyn Monroe<br />

and its sure-fire title, the picture can't in a scene from "Let's Make Love."<br />

miss. It's good entertainment, first, last<br />

and always.<br />

As in the blockbusting "Some<br />

is Like It a delectable and appealing figure<br />

Hot" of 1959, Marilyn is content to play throughout.<br />

second fiddle to the male star, this t<strong>im</strong>e in Vaughan. who is tall, dark and handsome,<br />

does well with several dramatic mo-<br />

a story which is built around a billionaire<br />

who wants to be loved for h<strong>im</strong>self alone. ments as a reformed alcoholic and star of<br />

Except for some slight difficulty with his the off-Broadway show and he sings "Incurably<br />

Romantic." "Hey You. With the<br />

English dialog, Montand is thoroughly engaging,<br />

he exudes chai-m for the ladies, Crazy Eyes" and the title song, all of these<br />

much in the manner of his compatriot, by Sammy Cahn and James Van Heusen.<br />

Maurice Chevalier, and he puts over the in applause-getting fashion. Wilfrid Hydetitle<br />

tune in highly romantic fashion White, the polished, di-yly humorous British<br />

comic, is a constant delight as the bil-<br />

Montand's three scenes with uncredited<br />

guest stars, Milton Berle. who attempts to lionaire's family lawyer and Tony Randall<br />

teach h<strong>im</strong> to be funny; Bing Crosby, who does well enough as a public relations<br />

tries to show h<strong>im</strong> how to croon, and Gene man. Of the others, David Burns has a few<br />

Kelly, who shows h<strong>im</strong> a few dance steps, amusing moments and Madge Kennedy,<br />

come as a complete surprise to the audience<br />

and are the picture's high spots.<br />

bit.<br />

star of the silent days, contributes a fine<br />

Miss Monroe is absent from all these Norman Ki-asna's original story has a<br />

scenes but she scores heavily in her first tried-and-true theme designed for a male<br />

appearance as the leading lady of an off- star but the author has expanded the<br />

Broadway show singing and dancing Cole chief female role to fit Miss Monroe; and<br />

Porter's "My Heart Belongs to Daddy." George Cukor, noted for his direction of<br />

which originally brought fame to Mary distaff stars, gets a fine performance out<br />

Martin in the 1940s. She also does nice'y of the great MM. Jack Cole's staging of<br />

in several songs with Frankie Vaughan an:^ the musical numbers is another plus value<br />

as is the fine CinemaScope-De Luxe Color<br />

photography by Daniel Papp.<br />

20th Century-Fox presents<br />

Yves Montand, a billionaire coming from<br />

Jerry Wold's production of<br />

a long line of millionaires, learns from his<br />

"LET'S MAKE LOVE"<br />

public relations man that he is being satirized<br />

in an off-Broadway revue. Montand.<br />

In Cinemascope ond De Luxe Color<br />

Running t<strong>im</strong>e: 1 1 8 minutes<br />

who has always evaded marriage because<br />

he is afraid the girl will want only his<br />

money, enters the tiny theatre and is entranced<br />

by Marilyn Monroe's singing of<br />

CREDITS<br />

Produced by Jerry Wold, Directed by George<br />

Cukor Written for the screen by Norman Krasno,<br />

odditionol moteriol by Hoi Kanter. Music, Lionel<br />

Newman, associote Earle H. Hagen. Words and<br />

rriusic by Sommy Cohn and Jomes Von Heusen<br />

My Heort Belongs to Daddy" by Cole Porter<br />

Musicol numbers staged by Jock Cole. Director<br />

of photogrophy, Doniel Fopp. A.S.C. L. Titles<br />

ond prologues designed by Gene Allen. Color<br />

coordinotor, Hoynmgen-Heune. Art direction<br />

Lyie R. Wheeler. Gene Allen Set decorations<br />

Wolter M. Scott, Fred M. McLean. Assistant<br />

director, David Hall. Costumes designed by<br />

Dorothy Jeokins. Film editor, Dovid Bretherton.<br />

THE CAST<br />

Amanda Marilyn Monroe<br />

Jeon-Morc Clement Yves Montond<br />

Howard Coffmon Tony Randall<br />

Tony Danton Frankie Voughon<br />

John Wales Wilfrid Hyde-White<br />

Oliver Burton Dovid Burns<br />

Dove Kerry<br />

Michoel David<br />

Miss Honson Modge Kennedy<br />

^

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