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COPYRIGHT AND RELATED RIGHTS ACT* - Uaipit.com

COPYRIGHT AND RELATED RIGHTS ACT* - Uaipit.com

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Article 105<br />

Co-authors of an audiovisual work<br />

(1) As co-authors of an audiovisual work shall be considered:<br />

1. the author of the adaptation,<br />

2. the author of the screenplay,<br />

3. the author of the dialogue,<br />

4. the director of photography,<br />

5. the principal director,<br />

6. the <strong>com</strong>poser of music specifically created for use in the audiovisual work.<br />

(2) If animation represents an essential element of the audiovisual work, the principal<br />

animator shall be considered as co-author of that work.<br />

Article 106<br />

Authors of contributions to audiovisual work<br />

An animator and a <strong>com</strong>poser of film music, who are not considered co-authors of an<br />

audiovisual work within the meaning of the foregoing Article, a scenographer, a<br />

costumographer, a make-up artist, and an editor, shall all have authors' rights with respect to<br />

their individual contributions to an audiovisual work (authors of contributions).<br />

Article 107<br />

Film production contract<br />

(1) The relationships between the film producer and the authors of an audiovisual work and<br />

authors of contributions, as well as the relationships between the authors themselves, shall<br />

be regulated by contract of film production, which according to this Act, shall be made in<br />

writing.<br />

(2) It shall be deemed that co-authors, by making a film production contract, have assigned to<br />

the film producer, exclusively and without limitations, all their economic rights and other rights<br />

of the author to an audiovisual work, its translation, its audiovisual transformations, and<br />

photographs made in connection with this work, unless otherwise provided by contract.<br />

(3) It shall be deemed that, by making a film production contract, authors of contributions<br />

have assigned to the film producer, exclusively and without limitations, the right to use their<br />

contributions for the purpose of <strong>com</strong>pletion of the audiovisual work.<br />

(4) Regardless of the provisions of the foregoing paragraphs:

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