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Book Reviews<br />

from it. Schmidt-Biggemann interprets Alsted’s abandonment of his<br />

occult interests as an ‘inner development’. 5 Hotson challenges the<br />

idea of any such ‘intellectual reorientation’: ‘In fact, if we peer behind<br />

the facade of his published works and into the more personal domain<br />

of his correspondence, a private world will begin to emerge more<br />

thoroughly hermetic than even the most audacious writings of his<br />

youth’ (p. 143). Hotson argues that Alsted’s pansophical reform project<br />

disappears only from his publications. If we look at the ‘private’<br />

Alsted, it is still there at the end of his life. Hotson supports his thesis<br />

by reference to scattered, mostly unpublished, sources. These<br />

make it possible to reconstruct an underground strata of reading, aspirations,<br />

and alchemical practices of which Alsted’s published writings<br />

make no mention.<br />

Alsted himself seems to have experienced the opposition of ‘private’<br />

hermeticism and ‘published’ Calvinist doctrine as a distressing<br />

tension. In any case, this is suggested by a letter, quoted by Hotson,<br />

concerning Alsted’s final hours in Transylvania, where he spent his<br />

last years teaching at the newly established Calvinist academy in<br />

Gyulaferhérvár (Alba Julia). On his deathbed, Alsted asked for his<br />

manuscripts to be placed sub anathemate and burned. His friends<br />

refused, ‘but he threw them in front of us and cut up some of them<br />

with great physical effort and (let it be written decently) threw them<br />

into the “shadow seat” ’ (p. 179). A beggar was charged with retrieving<br />

the manuscripts. Hotson interprets this passage as the dramatic<br />

closing chord of Alsted’s intellectual biography between hermetically<br />

inspired philosophy and theological orthodoxy, as ‘a final great act<br />

of symbolic renunciation’: ‘the dying Alsted finally realized that too<br />

much filth of the Lullists and kabbalists and alchemists which he had<br />

picked through had clung to his most ambitious unpublished works’<br />

(p. 180). Although elegant, this interpretation is of doubtful soundness.<br />

In the early modern period, rhetoric was dominated by ‘political’<br />

strategies as much as behaviour and action itself. Thus the context<br />

of the quoted passage suggests that the description of the<br />

deathbed scene was motivated more by the desire to present Alsted<br />

as a ‘perfectly orthodox and knowledgeable theologian’ (p. 179).<br />

In interpreting the works, Hotson draws heavily on Alsted’s egodocuments<br />

and programmatic statements (in prefaces, dedications,<br />

5 Schmidt-Biggemann, Topica universalis, pp. 101, 139.<br />

66

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