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ROBERT SEVER CELEBRITYJI - DalCasa

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Patricia Urquiola miljenica je tvrtke Moroso. Na slici sofa Smock / Moroso’s<br />

favorite designer Patricia Urquiola. On the photo is sofa Smock<br />

ideas within the field of furniture design were recognized<br />

by Japanese people from company Idee as they manufactured<br />

his Black Hole Table, Orgone Lounge and other<br />

products. Since 1991, he has worked in his Paris studio<br />

for Flos, Cappellini and Moroso, but it took him six years<br />

to open a large studio in London where he completely<br />

dedicated himself to products of everyday usage, and<br />

he says that he was always primarily interested in that.<br />

Some of his trademark projects are “regular” household<br />

appliances that were created for Alessi, Magis and Iittala,<br />

and he is also enthralled by “pure engineering”, such as<br />

designing airplane seats. According to his own words,<br />

only 70% of his products ever see the light of day, and the<br />

others are rejected as unworthy. Clearly, lack of productivity<br />

isn’t among Newson’s problems…<br />

Ora-Ito’s Spirit of the Millenium<br />

Ora-Ito figured out the right game for our time: as a child<br />

of the digital era (born in 1977), he realized that the strangle<br />

of the mass-media made the border between reality<br />

and imagination as thin and invisible as possible, so a<br />

good false story has better potential that a bad true story.<br />

His story consisted of falsely presenting himself as an art<br />

director of some of the strongest world brands, as well as<br />

launching false media campaigns that he paid by himself,<br />

instead of his famous “clients”. Ora-Ito used the postulates<br />

of the industry for his (non) honourable goals. And<br />

being that you couldn’t deny his talent, Louis Vutton and<br />

many others whose names were objects of these pranks<br />

didn’t get upset and turn to lawsuits, but they rather invited<br />

him to turn his ideas into something real. Rarely has<br />

there been a more meteoric rise in the world of design:<br />

now a thirty-year old, he has much more work than time<br />

on his hands, and so far he created, among other things,<br />

the anniversary bottle of Heineken, Swatch wristwatch,<br />

advertisement doses for Perrier water, Toyota’s futuristic<br />

showroom, Adidas perfume, cell-phone for French manufacturer<br />

Sagem and a whole series of futuristic household<br />

appliances for Gorenje, which has just recently been<br />

presented. However, maybe one of his most interested<br />

Antibodi, Patricia<br />

Urquiola za Moroso<br />

/ Antibodi, Patricia<br />

Urquiola for Moroso<br />

projects took place for LG: the so-called “home network”<br />

displays a household completely equipped with LG appliances,<br />

but with a blueprint that clearly displays the Korean<br />

manufacturer’s logotype. The new millennium spirit<br />

of design may just be at its most evident in the creative<br />

actions of this French “enfant terrible”.<br />

But finally, there are also some righteous designer stars<br />

that haven’t done too much interfering in the more “banal”<br />

types of design. Such an example is famous Spanish<br />

(of Baskian decent) designer Patricia Urquiola, Moroso’s<br />

muse who, besides designing interiors and partly working<br />

in architecture, rarely finds herself embracing adventures.<br />

Her intelligent, intimate and emotional design is strongly<br />

influenced by Italians Achile Castiglione and Vico Magistretto,<br />

and her seating ensembles have become an<br />

object of desire for anyone with knowledge about good<br />

design.<br />

Brothers Ronan and Erwan Bouroullec, who are considered<br />

by most of their contemporaries as the “fresh blood”<br />

of world design, have also decided upon a purer approach<br />

and are choosing projects within the interior industry.<br />

Some of the credit for that certainly goes to Giulio<br />

Cappellini, as he “adopted” them back in the nineties.<br />

Cappellini, Vitra, Kartell, Magis, Ligne Rossett, Issey Miyake…<br />

are just some of the clients on their list.<br />

This group could also include a Balkan-originating (?) German<br />

architect Konstantin Grcic, who found affirmation<br />

back in the early nineties by working on furniture, objects<br />

and lighting for Driade, Flos, Cappellini, Iittala… But he’s<br />

also been getting that “itching feeling” lately, so over the<br />

last few years, he also designed the Krups toaster, Rosenthal<br />

dishes, Lamy pens or Whirlpool microwave oven.<br />

And whether that microwave oven, an object that you<br />

encounter every morning at your sleepiest and grumpiest,<br />

will just be a “microwave oven” or turn into an element<br />

of joy in your life, and whether it will be signed by<br />

Grcic, Morrison or some anonymous industrial designer<br />

from the company factory – that is up to you. The good<br />

news is that we can now make that choice.<br />

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