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CG JUNG - Countryside Anarchist

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APPENDIX 1<br />

INDIAN PARALLELS 1<br />

11 October 1930<br />

On this last seminar day a concept will be given of what the seen means,<br />

of how it is to be understood. This series of pictures has not been shown<br />

as a model. We must not bypass the European world and our own preconditions<br />

in order to create a therapeutic method out of such a process.<br />

The revival of inner images must develop organically.<br />

Here one could field the objection whether this case would also have<br />

developed in this way if Dr. Jung, who himself knew about these things,<br />

had not been present. In other words: whether some kind of thought<br />

transmission or influence of the most subtle kind did not take place. To<br />

this one may only respond that, as is known, one cannot experiment with<br />

fate. It is impossible to determine how an event would have played itself<br />

out had this or that moment been different. In the case of spiritual development<br />

it is possible to exclude the subjective factor only through finding<br />

out whether things have taken place in the same way at other times<br />

and at different places. Dr. Jung tried to seek out such parallels. They<br />

can be demonstrated in the literature of all periods. Besides, Dr. Jung<br />

has in his possession various series of corresponding imaginal developments<br />

that originate from human beings of other parts of the world. This<br />

would constitute proof. But there is still another much more striking<br />

proof: a great culture has held these matters and symbols as its religious<br />

and philosophical teachings for more than two thousand years—namely<br />

India. Here we find the historical parallels to the series of images which<br />

1 For the source of this lecture, see the preface, p. xi. Jung’s manuscripts headed “Tantrism”<br />

and “Chakras” closely correspond to the report of this seminar. The first page of the<br />

first manuscript consists of a list of Woodroffe’s publications, and references and citations<br />

from Zimmer’s Artistic Form and Yoga in the Sacred Images of India, translated by G. Chapple<br />

and J. Lawson (Princeton, 1984), 26–62. This suggests that these works formed Jung’s<br />

main source for his general conception of tantric yoga. 2 and 3 closely correspond to the<br />

opening sections of this seminar. In a few places the terminology in this seminar has been<br />

made consistent with that used in the preceding seminars.<br />

71

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