16.11.2012 Views

proto-southwestern-tai revised: a new reconstruction - seals 22

proto-southwestern-tai revised: a new reconstruction - seals 22

proto-southwestern-tai revised: a new reconstruction - seals 22

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Contact Induced Change? 17<br />

To sum up, vowel quality differences between registers are at best limited to the F1<br />

of high vowels (at least in the set of three vowels tested here). Even then, these differences<br />

are so small and unsystematic that they are unlikely to be perceptible. It is therefore<br />

unlikely that vowel quality plays a crucial role in the phonetic realization of the register<br />

contrast.<br />

4. Discussion<br />

In this section, we will sum up the results and compare them to previous descriptions,<br />

discuss the relevance of our data for the hypothesis that Cham register systems are shaped<br />

by contact and put forward a fine-grained model of language contact and sound change.<br />

4.1 The phonetics of Cham register<br />

The first observation that can be made based on our results is that the three dialects under<br />

study are surprisingly similar with respect to the phonetic realization of their registers.<br />

First, f0 seems to be the most important property of register in all three dialects. However,<br />

the f0 difference between registers is greater in Eastern Cham than in Kompong Chhnang<br />

Cham and Châu Đốc Cham, which suggests that Eastern Cham might have phonologized it<br />

without making it contrastive, something that the other dialects have not done yet. In this<br />

sense, one could argue that Eastern Cham is transitional in that it has made a step further<br />

towards the development of tone.<br />

The other phonetic properties measured here, open quotient (voice quality) and the<br />

frequencies of the first two formants (vowel quality), are much less conclusive. Open<br />

quotient differences between the registers could play a role in perception in all three<br />

dialects, but they seem less distinct and reliable than pitch differences. Therefore, open<br />

quotient seems to be an ancillary phonetic property, in the sense that it only reinforces a<br />

contrast that is primarily based on f0. Moreover, the exact implementation of open quotient<br />

differences between registers varies between dialects and speakers. Whereas most Eastern<br />

Cham and Kompong Chhnang Cham speakers maximize the open quotient difference at<br />

the beginning of the vowel and then neutralize it towards its end, most Châu Đốc Cham<br />

speakers exhibit a ballistic effect, where the high and low register open quotient curves<br />

cross paths and change positions at about the first third of the vowel. Finally, the role of<br />

vowel quality seems negligible. Only the first formant of the high vowels /i, u/ show<br />

register differences, and these differences are so small that it is unlikely that they can be<br />

used for register identification. At this point, a perceptual study conducted with the same<br />

stimuli in the three dialects is necessary to further understand the phonetic realization of<br />

Cham register.<br />

Interestingly, our findings partially disagree with previous work. The Eastern Cham<br />

results are in tune with other phonetic studies (Phú et al. 1992; Brunelle 2005b; a), but<br />

Kompong Chhnang Cham and Châu Đốc Cham are different from other Western Cham<br />

dialects. Kompong Chhnang Cham, which is spoken in Cambodia, has a pattern of pitch<br />

and voice quality that matches previous descriptions of Cambodian Cham (Headley 1991;<br />

Edmondson and Gregerson 1993), but it does not seem to make much use of vowel quality<br />

contrasts, contrary to Kompong Thom Cham and the dialect investigated by Edmonson and<br />

Gregerson. More mysterious are our results for Châu Đốc Cham, which differ from those

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!