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Journal of Film Preservation - FIAF

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shortened: the last travelling<br />

starting with the opening<br />

curtain in front <strong>of</strong> Lola in the<br />

cage and ending with the<br />

curtain which closes the movie<br />

cut: the coach, fleeing from Bavaria<br />

The last cut concerns the famous last take with Lola in a kind <strong>of</strong> cage,<br />

with the camera pulling slowly back through the crowd <strong>of</strong> people<br />

pressing to Lola’s cage, until a curtain is drawn and the film ended. In<br />

the reedited versions, this long travelling shot is shortened, in the<br />

French version by means <strong>of</strong> a clever dissolve in the travelling, in the<br />

German version by means <strong>of</strong> a harsh cut leading to a jump cut in the<br />

travelling shot. The differences in sound are even more important: in<br />

the original sound mix, until the very last, the voices <strong>of</strong> the equerry and<br />

the page boys, who collect the money, are audible. The last words one<br />

hears are “one dollar”, then the curtain is closed and silence is set for a<br />

short time, before the end titles and the music begin. In the reedited<br />

versions the music covers up the voices in the travelling shot and leads<br />

straight to the end titles. This ending is far less sobering and much<br />

more harmonising than the original one.<br />

13 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 65 / 2002

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