ART INSIGHTS Creating Wealth as a Successful Artist - John Dahlsen

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“6 Driftwood Totems”Found Driftwood and Stainless Steel220 cm (h) x 40cm base (w) each
Reflections on Vision.9In art school I discovered freedom. I hadjust come from an all-boys boarding schoolin Melbourne, and it was time for me toshake free, and I indeed shook free. Duringmy art school years I spent a lot of my timeexperimenting and probably not being asconscientious with aesthetic decisions as Ilike to be these days. I think I probablywanted to be somebody famous andoutrageous. I remember having aspirationsof arriving somewhere in the caliber of theAustralian artist Brett Whitely, who’s notwith us anymore. In the late ‘70s he waswinning all of the art awards at the ArtGallery of New South Wales. He won thetrifecta, the Archibald, the Wynne and theSulman prizes in 1978, in the midst of myart training.I guess he was somebody that I waslooking at emulating in some way or other,however he also had a serious drug habitwith heroin, which was a choice I hadabsolutely no intention of following. I did105
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ART INSIGHTSCreating Wealth as aSuc
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All Rights Reserved.Reproduction or
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Table of ContentsPart I (page 7)Alc
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Part IAlchemy: My Career in Environ
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This new medium, it occurred to me,
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My InfluencesAs a young artist, I w
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form of both patronage and exhibiti
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Shedding of IdentityMy entrée into
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Sandra Murray, the then director of
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In 2006, the United Nations Environ
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"Thong Totems"Found objects and Sta
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I toe the line betweenfulfi llment
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“Blue River”Recycled Plastic Ba
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esidence at Jefferson City, Missour
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Driftwood artMy work with driftwood
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Digital Prints and PaintingsAnother
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As well as embracing the digital an
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“Light Blue Purge Dialogue”Acry
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geometrical imagery and constructiv
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The Pass #52007Acrylic on Belgian L
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‘Contemporary Landscapes’ -his
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of Wendell Berry’s paradox that
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Central ConcernsIt amazes me to thi
Page 56 and 57: It is of utmost importanceto have a
Page 58 and 59: Let’s be clear about one fact: th
Page 60 and 61: The manager of the plant was highly
Page 62 and 63: Remember that it isyou who is placi
Page 64 and 65: 62how much you’re willing to sacr
Page 66 and 67: 3. FOCUS.Successful artists have th
Page 68 and 69: ends meet. This usually does not wo
Page 70 and 71: Managing your timealso means placin
Page 72 and 73: your next show, selling art and tal
Page 74 and 75: To create somethingof beauty at any
Page 76 and 77: and start again. My integrity force
Page 78 and 79: Marketing is also anattitude. Your
Page 80 and 81: her updated website that she set up
Page 82 and 83: that you feel confident about the w
Page 85 and 86: Approaching GalleriesOne of the fir
Page 87: it’s good to acknowledge it. Ther
Page 90 and 91: $ $$ $ $$$$
Page 92 and 93: opportunities, such as writing a bo
Page 95 and 96: The Parthenon PrincipleTo create an
Page 97 and 98: Responsible Financial ManagementArt
Page 99 and 100: please everyone that they say yes t
Page 102 and 103: dealings, but you might find that t
Page 104 and 105: do gauge that as both an interior q
Page 108 and 109: I strive to act as areminder of our
Page 111 and 112: Reflections on Obstacles.You always
Page 116: And many people simply didn’t kno
Page 121 and 122: almost like a cross cut through the
Page 123 and 124: People would tell me to look at thi
Page 125 and 126: e squeezed out of the machine to cl
Page 127 and 128: I remember telling the media during
Page 129: Articles and Reviews“Australian E
Page 132 and 133: Art Calendar: I read that a fire de
Page 134 and 135: time appreciating highlighting a pr
Page 136 and 137: asically by a talk on my environmen
Page 138 and 139: demand, and has made the decision o
Page 140: Art Calendar: Ultimately, what do y
Page 143: Of that early time, Dahlsen says:
Page 146 and 147: the art-making process has led to s
Page 148 and 149: concerned about global warming. But
Page 150 and 151: 148express strong environmental and
Page 152 and 153: I am with this work, apart from wis
Page 154 and 155: The one plastic bag that was blown
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Are paper bags any better?As paper
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“Environmental Art”University o
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tradition of exploring the relation
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plastics assembled into abstract fi
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projects of land reclamation.Dahlse
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ReferencesPart I1,2Murray, Sandra.
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Art/Business$34.95The Artist’s Mu
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ART INSIGHTS Creating Wealth as a Successful Artist - John Dahlsen

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