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ART INSIGHTSCreating Wealth as aSuc
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All Rights Reserved.Reproduction or
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Table of ContentsPart I (page 7)Alc
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Part IAlchemy: My Career in Environ
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This new medium, it occurred to me,
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My InfluencesAs a young artist, I w
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form of both patronage and exhibiti
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Shedding of IdentityMy entrée into
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Sandra Murray, the then director of
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In 2006, the United Nations Environ
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"Thong Totems"Found objects and Sta
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I toe the line betweenfulfi llment
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“Blue River”Recycled Plastic Ba
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esidence at Jefferson City, Missour
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Driftwood artMy work with driftwood
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Digital Prints and PaintingsAnother
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As well as embracing the digital an
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“Light Blue Purge Dialogue”Acry
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geometrical imagery and constructiv
- Page 44 and 45: The Pass #52007Acrylic on Belgian L
- Page 46 and 47: ‘Contemporary Landscapes’ -his
- Page 48: of Wendell Berry’s paradox that
- Page 51 and 52: Central ConcernsIt amazes me to thi
- Page 56 and 57: It is of utmost importanceto have a
- Page 58 and 59: Let’s be clear about one fact: th
- Page 60 and 61: The manager of the plant was highly
- Page 62 and 63: Remember that it isyou who is placi
- Page 64 and 65: 62how much you’re willing to sacr
- Page 66 and 67: 3. FOCUS.Successful artists have th
- Page 68 and 69: ends meet. This usually does not wo
- Page 70 and 71: Managing your timealso means placin
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- Page 74 and 75: To create somethingof beauty at any
- Page 76 and 77: and start again. My integrity force
- Page 78 and 79: Marketing is also anattitude. Your
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- Page 82 and 83: that you feel confident about the w
- Page 85 and 86: Approaching GalleriesOne of the fir
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- Page 92 and 93: opportunities, such as writing a bo
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- Page 98 and 99: and will establish their spending p
- Page 100: 98I get that wrong?” Clarity is i
- Page 103 and 104: Part III:Careers Insights: Reflecti
- Page 105 and 106: City every year to have an exhibiti
- Page 107 and 108: Reflections on Vision.9In art schoo
- Page 109: like the way he approached art. I f
- Page 112: great lesson from that experience,
- Page 118: Driftwood CouchDimensions Variable1
- Page 122 and 123: “White Totems”Public art propos
- Page 124 and 125: "Bronze Plastic Purge"Plastic Sculp
- Page 126 and 127: “Driftwood Sculpture Trio”Found
- Page 128 and 129: 126with the flow with my creativity
- Page 131 and 132: Throughout the years, his work hasg
- Page 133 and 134: equired jumps when necessary throug
- Page 135 and 136: I love to address audiences and fee
- Page 137 and 138: on the length and nature of the pre
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- Page 142 and 143: decade, a vast collection of litter
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Interview between John Dahlsenand C
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tackle environmental issues and rep
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good balance in your life, to get p
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“Questions on Plastic Bags” Int
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Once again, I am able as a contempo
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ags is nevertheless significant. Pl
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This tension between inorganicabstr
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as a constant reminder of the mutua
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scrubbing and foregrounding the san
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that entails. The term also refers
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to environmental degradation all bu
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Part III9Based on a transcript from