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ART INSIGHTSCreating Wealth as aSuc
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All Rights Reserved.Reproduction or
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Table of ContentsPart I (page 7)Alc
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Part IAlchemy: My Career in Environ
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This new medium, it occurred to me,
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My InfluencesAs a young artist, I w
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form of both patronage and exhibiti
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Shedding of IdentityMy entrée into
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Sandra Murray, the then director of
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In 2006, the United Nations Environ
- Page 24 and 25: "Thong Totems"Found objects and Sta
- Page 26 and 27: I toe the line betweenfulfi llment
- Page 28 and 29: “Blue River”Recycled Plastic Ba
- Page 30 and 31: esidence at Jefferson City, Missour
- Page 33 and 34: Driftwood artMy work with driftwood
- Page 35: Digital Prints and PaintingsAnother
- Page 38 and 39: As well as embracing the digital an
- Page 40 and 41: “Light Blue Purge Dialogue”Acry
- Page 42 and 43: geometrical imagery and constructiv
- Page 44 and 45: The Pass #52007Acrylic on Belgian L
- Page 46 and 47: ‘Contemporary Landscapes’ -his
- Page 48: of Wendell Berry’s paradox that
- Page 51 and 52: Central ConcernsIt amazes me to thi
- Page 56 and 57: It is of utmost importanceto have a
- Page 58 and 59: Let’s be clear about one fact: th
- Page 60 and 61: The manager of the plant was highly
- Page 62 and 63: Remember that it isyou who is placi
- Page 64 and 65: 62how much you’re willing to sacr
- Page 66 and 67: 3. FOCUS.Successful artists have th
- Page 68 and 69: ends meet. This usually does not wo
- Page 70 and 71: Managing your timealso means placin
- Page 72 and 73: your next show, selling art and tal
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- Page 78 and 79: Marketing is also anattitude. Your
- Page 80 and 81: her updated website that she set up
- Page 82 and 83: that you feel confident about the w
- Page 85 and 86: Approaching GalleriesOne of the fir
- Page 87: it’s good to acknowledge it. Ther
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- Page 92 and 93: opportunities, such as writing a bo
- Page 95 and 96: The Parthenon PrincipleTo create an
- Page 97 and 98: Responsible Financial ManagementArt
- Page 99 and 100: please everyone that they say yes t
- Page 102 and 103: dealings, but you might find that t
- Page 104 and 105: do gauge that as both an interior q
- Page 106 and 107: “6 Driftwood Totems”Found Drift
- Page 108 and 109: I strive to act as areminder of our
- Page 111 and 112: Reflections on Obstacles.You always
- Page 116: And many people simply didn’t kno
- Page 121 and 122: almost like a cross cut through the
- Page 123 and 124: People would tell me to look at thi
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e squeezed out of the machine to cl
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I remember telling the media during
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Articles and Reviews“Australian E
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Art Calendar: I read that a fire de
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time appreciating highlighting a pr
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asically by a talk on my environmen
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demand, and has made the decision o
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Art Calendar: Ultimately, what do y
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Of that early time, Dahlsen says:
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the art-making process has led to s
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concerned about global warming. But
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148express strong environmental and
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I am with this work, apart from wis
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The one plastic bag that was blown
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Are paper bags any better?As paper
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“Environmental Art”University o
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tradition of exploring the relation
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plastics assembled into abstract fi
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projects of land reclamation.Dahlse
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ReferencesPart I1,2Murray, Sandra.
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Art/Business$34.95The Artist’s Mu